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THE STENCH OF HONOLULU

A TROPICAL ADVENTURE

The best comedic novel in years. Handey is a master. Fans will be quoting lines from this book for a long time. If you like...

Deep Thoughts creator Handey (What I’d Say to the Martians, 2008, etc.) pens his first novel, an absurd adventure set in Hawaii.

The unreliable narrator is Slurps (he picked the nickname). He’s clueless, inappropriate, delusional, dim: an all-around misguided, comedic nightmare. Among his life goals: to someday throw a hand grenade. “Maybe I’ll get to do that in Heaven,” he muses. As the book opens, Slurps and his friend Don book a vacation to Hawaii (a “mysterious place” Slurps has never heard of) to get away from it all—in Don’s case, from an ex-wife; in Slurps’ case, from violent men to whom he owes money. After receiving a Hawaiian “treasure map” from their travel agent showing the way to a valuable relic called the Golden Monkey, the two decide to steal the object. Before they depart for the islands, Slurps visits Uncle Lou, an ailing treasure hunter who, upon learning of Slurps’ plan to steal the Golden Monkey, drugs Slurps and then implants a tracking device in his tooth. “The trouble with going to Uncle Lou’s was he was always drugging you,” Slurps notes. Indeed. The Hawaii of the book is not a place any tourist would recognize. Honolulu is a “dirty, coastal backwater” stinking of fish heads and featuring in its town square “a bronze statue of the discoverer of Hawaii, Sir Edmund Honolulu III,” not to mention lots of bums and prostitutes. This Hawaii has its own currency, the paleeka, and the bars serve bowls of dried geckos in lieu of beer nuts. The beaches showcase rusty cars that have washed ashore. Slurps' observations are epic throughout: "A scary-looking transvestite put flower necklaces around our necks and said, 'Aloha.' Someone told me later that aloha is a curse word." Things take a turn for the much worse when Slurps acquires a hula-girl souvenir that in fact turns out to be cursed. (See Bobby Brady in the 1972 Brady Bunch Hawaii episodes.) Disasters ensue. The journey into the jungle in search of the Golden Monkey finds Slurps and Don battling pirates, getting hit with blow darts and meeting a native woman that Slurps hits on using his favorite pickup line, "what's your religion?" The doomed expedition culminates in a riot, complete with a pitchfork-wielding mob, inside a national park. It's Joseph Conrad's Heart of Darkness meets the 2008 film Tropic Thunder. Ridiculous fun through and through. You have to love a guy who goes out looking for hiking supplies and comes back with bottles of scotch and packs of cigarettes. A true outdoorsman, he.

The best comedic novel in years. Handey is a master. Fans will be quoting lines from this book for a long time. If you like the work of George Saunders, this one's for you.

Pub Date: July 16, 2013

ISBN: 978-1-455-52238-5

Page Count: 240

Publisher: Grand Central Publishing

Review Posted Online: July 5, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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