A coming-of-age/femme fatale story that doesn’t quite get where it’s going.

The Year of the Dog

A young insurance investigator in Washington, D.C., falls into the orbit of a mysterious couple in this overstuffed thriller.

It all starts with a used Porsche. After finding blood stains on the passenger-side floor, new buyer Keith Gwynn decides to track down the previous owner, Tara. She’s cagey; Keith isn’t sure whether to believe that was really animal blood on the car floor. But she’s exotically beautiful and seems interested in Keith, who ignores any red flags—like Sef, the man Tara lives with, a hulking martial arts expert who nevertheless invites Keith to ask Tara out. A steamy romance ensues, with Keith thrilled to parade a gorgeous woman on his arm around D.C.’s hottest spots. But questions remain and concerns grow, especially when Keith snoops through Tara’s bag and finds disturbing connections among Sef, Tara and the ambitious Senator Cobb, all somehow tied to Costa Rica and Myanmar. Debut novelist Keppler surrounds his tale with a good deal of doom-tinged backshadowing, but this long, overwritten book can’t sustain the murders and conspiracies piled upon the central event. Additionally, Keith’s claims of naïve innocence ring false, seeing that he starts things off by buying a Porsche and cheating on his girlfriend. Foolish, yes; innocent, not so much. Keppler’s phrasing can be clumsy or foreign-sounding: “Little later, also Tara and I left [the restaurant].” Another odd choice is describing sex acts in full but using asterisks to denote profanity. Other lines can be a mouthful: “Like a pair of degenerate maggots oblivious to the fate of the organism supporting them, my eyes sucked themselves through the leather and the fabric trying to sense the skin, the flesh, the moisture and the softness that hid underneath.” Keppler makes some knowing observations of the D.C. scene, but they’re sometimes hard to find amid the overcooked prose. A copy editing cleanup wouldn’t hurt, either.

A coming-of-age/femme fatale story that doesn’t quite get where it’s going.

Pub Date: April 17, 2013

ISBN: 978-1479243440

Page Count: 480

Publisher: CreateSpace

Review Posted Online: July 1, 2013

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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