In a companion volume to The Dragons Are Singing Tonight (1993), a talented duo introduces a variety of trolls, ogres, witches, a bigfoot, and a yeti. Prelutsky's verse is as rhythmic as ever and full of child- pleasing grotty humor, with crotchety witches and grubby goblins fully present. The first poem, ``I Told the Wizard to His Face,'' sets the tone as a bratty boy regales a wizard with variations of the word fraud: ``Since then I've been but two feet tall/and have a hamster's head.'' S°s captures the spirit of the book perfectly in his spreads framed with fabulous borders. The settings range from modern urban to mythical or medieval. Favorite pieces will be ``Mother Ogre's Lullaby'' and the title poem, but every poem will be relished, come Halloween or any time of the year. (Picture book/poetry. 4-12)
Pub Date: April 1, 1996
ISBN: 0-688-09644-1
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Poet Alexander deftly reveals the power of the format to pack an emotional punch.
Basketball-playing twins find challenges to their relationship on and off the court as they cope with changes in their lives.
Josh Bell and his twin, Jordan, aka JB, are stars of their school basketball team. They are also successful students, since their educator mother will stand for nothing else. As the two middle schoolers move to a successful season, readers can see their differences despite the sibling connection. After all, Josh has dreadlocks and is quiet on court, and JB is bald and a trash talker. Their love of the sport comes from their father, who had also excelled in the game, though his championship was achieved overseas. Now, however, he does not have a job and seems to have health problems the parents do not fully divulge to the boys. The twins experience their first major rift when JB is attracted to a new girl in their school, and Josh finds himself without his brother. This novel in verse is rich in character and relationships. Most interesting is the family dynamic that informs so much of the narrative, which always reveals, never tells. While Josh relates the story, readers get a full picture of major and minor players. The basketball action provides energy and rhythm for a moving story.
Poet Alexander deftly reveals the power of the format to pack an emotional punch. (Verse fiction. 9-12)Pub Date: March 18, 2014
ISBN: 978-0-544-10771-7
Page Count: 240
Publisher: HMH Books
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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