by Jack Prelutsky illustrated by James Stevenson ‧ RELEASE DATE: Sept. 8, 1990
A wealth of funny new verse from a favorite poet. Prelutsky’s comic muse is at its best here – whether describing a homemade robot gone berserk (“…it ate the dust pan/and attacked us with the broom, /it pulled apart our pillows, /it disheveled both our beds…”) or a whimsical trip to yesterday (“I’m moving very fast/as I’m putting off the future/for the rather recent past…”), he uses unexpected, vivid words in infectiously rhythmic cadences. Amusing details abound – in a long list of the many fish a boy is not catching, or in a tall-tale adventure “that’s the reason why my homework/isn’t here with me today.” Many of the entries end with a nifty surprise or a deft comical twist. Stevenson, who also illustrated Prelutsky’s The New Kid on the Block (1984), contributes quietly hilarious b&w art. Another winner from this talented pair. (Poetry. 5+)
Pub Date: Sept. 8, 1990
ISBN: 0-688-06434-5
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1990
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by Rajani LaRocca ‧ RELEASE DATE: Feb. 2, 2021
An intimate novel that beautifully confronts grief and loss.
It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.
Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.
An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)Pub Date: Feb. 2, 2021
ISBN: 978-0-06-304742-6
Page Count: 224
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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