Tired and familiar territory, but not without some promise.
A stilted, self-conscious debut chronicles one of those defining boyhood friendships that changes life forever.
The year and the friendship that transform adolescence are by now a familiar cliché. Though southern author Riggs tries to give them literary heft by turning the flight of finches into metaphors to frame the narrative, the story is essentially a collection of types and incidents—promising much but never delivering, as the predictable cast of doomed characters inevitably mess up. Set in the 1960s in a small North Carolina town on flood-prone Finch Creek, the story is told by Raybert, who lives with his unstable mother Inez. Daddy, a former GI, has a drinking problem and is often away, and Raybert’s best friend Palmer lives across the street. Palmer is slight for his age, has a flaming birthmark on his head, and regularly consults with RC, his dead father. His mother has a new man in her life, Edgar, a hard-drinking pervert, who takes and collects photographs. When Raybert turns 13, his life becomes even more complicated as Palmer steals one of Edgar’s photographs that shows a lynching of a local African-American. The picture clearly shows Raybert’s Daddy as part of the mob. With this to ponder, the year starts going into free-fall as Daddy comes back and tries to woo Inez with a new garden that’s soon destroyed by the flooding Finch Creek; and Inez has a miscarriage, breaks down, and is hospitalized. Meanwhile, Palmer increasingly angers the abusive Edgar with his pert comments. Palmer, whose mother is as abusive as Edgar, dreams of running away to Myrtle Beach with Raybert as soon as he can reach the pedals of RC’s 1965 Pontiac Catalina, currently parked in the drive. As Edgar gets the Pontiac running and notches up his abuse, Raybert’s Daddy moves out and Raybert goes to live with his wealthy aunt and uncle. Poor Palmer isn’t so fortunate.
Tired and familiar territory, but not without some promise.Pub Date: Oct. 1, 2003
ISBN: 0-345-46794-9
Page Count: 256
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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