Turner’s writing is muscular, never swaggering, and almost lyrical, summoning a Teton Range in its rightful, sublime...
Mountaineer Turner’s (The Abstract Wild, 1996) portrait of a Teton guiding season is a measured luxuriance in the landscape, a love song to the natural history of a place, and a tad self-conscious and defensive tale.
It might be May when Turner’s story begins, but it is snowing and two feet of the stuff lies on either side of the road to his cabin away in the Teton backcountry. Turner has worked as a guide here for the fabled Exum Service for over two decades. He has distilled those years into this memoir, “a collusion of memory and desire” in which he escorts readers through the months, pointing out the wildlife, introducing his guiding companions, detailing climbs, roaming and roaming until he hits on something that strikes his fancy (dippers or sandhill cranes, native dyestuffs or old mineshafts) and allows him to hold forth for a time. While there can be a childlike joy in his voice when calling attention to something worth marveling at, there is also a sense that Turner is as relaxed as a jumped rhino, and wrapped “in a version of the heroic myth. Everyone at Exum has at some time in their lives lived out this myth, although it is increasingly difficult to do so when the myths are buried under layers of cynicism and irony.” He works hard at a hardboiled sensitivity (he won’t paint the sheetrock of his cabin, for example, but he’ll tack up a Wolf Kahn landscape ripped from a calendar) and wears his Zen on his sleeve: “Thus Po Chu-i could say, with subtle allusion, ‘Clear cries, several voices—cranes under the pines.’ ” Sometimes the trail is rough, but ultimately the views are spectacular.
Turner’s writing is muscular, never swaggering, and almost lyrical, summoning a Teton Range in its rightful, sublime austerity. His own sensibilities, though, are a bit overdone at times. (b&w photos, not seen)Pub Date: June 8, 2000
ISBN: 0-312-25197-1
Page Count: 272
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...
A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.
Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guy–isms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.
Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.Pub Date: Nov. 24, 2015
ISBN: 978-0-8129-8757-7
Page Count: 288
Publisher: Random House
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
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