A novel with formidable villains and plentiful action and suspense.
Two government operatives investigate a series of anti-Semitic murders that apparently involve Islamic State terrorists in Winnick’s (East Wind, 2015, etc.) latest series thriller.
A massacre of five children at a Los Angeles Jewish day school shocks police officers, and a discarded note in Arabic at the scene, allegedly signed “ISIS” (or “ISIL”), implies that more Jewish victims may die in the future. Authorities opt to bring in former FBI agent Lara Edmond, now with the Joint Terrorism Task Force, and Mossad agent Uri Levin, both of whom were pivotal years ago in thwarting a nuclear attack in America. At that time, Lara and Uri wound up in bed together—and even fell in love—but they haven’t seen each other in the last three years. A popular rabbi is soon the killers’ next target. In response, Lara responds to Muslim clerics’ online ads, offering herself up as an American bride; it’s a ploy to gain potential intel, as wives of jihadists have previously been actively involved in their husbands’ illicit deeds. Uri, meanwhile, plays the role of an escaped terrorist lying low in Los Angeles. It turns out, however, that they’re both already in danger, as the people behind the LA attacks know that the two are in the city—and the group has a larger, more destructive plan in the works. Winnick’s returning protagonists are as crafty and able-bodied as before; Lara, at one point, warns a man not to underestimate her physically—and breaks something to demonstrate why. But the villains, amply covered here, particularly stand out. Their murder scheme, for starters, is devious and effective; it’s clearly meant as a distraction, but the group’s ultimate goal isn’t so easy for agents (or readers) to decipher. When the bad guys adapt when something goes awry, it shows both their guile and determination. Lara and Uri rekindle their romance, but Winnick smartly keeps it on the back burner, focusing instead on the investigation. Interestingly, a few minor characters also take up a bit of the spotlight, including one introduced late in the story.
A novel with formidable villains and plentiful action and suspense.Pub Date: Aug. 24, 2016
ISBN: 978-1-5372-7459-1
Page Count: 306
Publisher: CreateSpace
Review Posted Online: Sept. 29, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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