CHILDREN OF A GOOD WAR

Fraught relationships, wartime letters, and complex characters make this a satisfying read.

In the third entry in the author’s French Letters series (Engaged in War, 2018, etc.), two brothers cope with the aftermaths of two wars.

In Colorado in 1983, Woodrow Wilson Hastings jumps off a Colorado overpass into oncoming traffic, and “Will Hastings’ time on earth was over.” At the funeral, his sons, Peter and Frank, quarrel bitterly. Peter calls Frank “an actual bastard” whom Will had brought home from World War II in France, where Will had been a combat surgeon. Peter’s written apology never reaches Frank, and hard feelings grow as Frank tries to prove that he’s not the adopted son of a French whore—but the discovery of old wartime letters shakes Frank’s understanding of who he is. They’re very different characters: Peter had been a star athlete, an Air Force Academy graduate and a gunship pilot in Vietnam, and now he is a Pan Am pilot who loves “the freedom of flight.” Frank has a learning disability and “grew up largely invisible but observant.” He fought as a grunt in Vietnam and now reports for the local paper while writing a war novel on the side. Meanwhile, their mother, Virginia, sits in Loving Arms rest home, “demented as a bedbug.” Each squabbling brother then faces his own life-changing event, and Peter’s is a doozy. He’s deadheading—a pilot riding as a passenger—on a 747 that’s hijacked and flown to Karachi. Frank flies to France to find his grandmother and learn more about who he really is. His travels through Normandy and small towns such as Saint-Lô combine with Will’s wartime backstory to bring a rich feel to the tale. While readers wonder whether the brothers will reconcile, interesting surprises await.

Fraught relationships, wartime letters, and complex characters make this a satisfying read.

Pub Date: Oct. 8, 2018

ISBN: 978-0-9906121-8-6

Page Count: 440

Publisher: Vire Press, LLC

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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