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CONFESSIONS OF A WILD CHILD

Even the staunchest fans of the Santangelo family may be disappointed with this rather thin addition to the saga.

Collins (The Power Trip, 2013, etc.) returns with the story of her beloved Lucky’s teenage years. 

Growing up in the lap of luxury isn’t what it’s cracked up to be. Despite living in a palace replete with tennis courts and servants to attend to her every whim, Lucky realizes that she and her brother, Dario, are just prisoners in a posh jail. Certainly her mobster father, Gino, wants to keep his children safe (after all, their mother was murdered in the swimming pool), but at 15, Lucky is already champing at the bit to live a little more on the wild side. Ironically, being sent to an elite boarding school in Switzerland is her big chance. At L’Evier, she meets Olympia Stanislopoulos, who quickly initiates her into the dark arts of smoking, drinking and sneaking out to meet boys. Sexually curious, Lucky is eager to practice “almost.” Soon enough, Lucky is kicked out of school, angering Gino, who ships her off to another school, where the shenanigans resume. Lucky stews over her crush on Marco (her father’s driver), Gino indulges in an affair with a movie star (the delightfully named Marabelle Blue), Dario begins a potentially dangerous affair, and Olympia drags Lucky into more trouble. Despite all the (not particularly explicit) action, Lucky’s tale has a fairly flat plotline. Part of the trouble in building tension lies with Lucky’s own gimlet-eyed stoicism. She is, indeed, her father’s daughter, and nothing will distract her from her ultimate goal of becoming Gino’s successor. Even the potentially catastrophic arranged marriage to a senator’s son is met with bemused calculation rather than horror.

Even the staunchest fans of the Santangelo family may be disappointed with this rather thin addition to the saga.

Pub Date: Feb. 4, 2014

ISBN: 978-1-250-05093-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Jan. 21, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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