A compelling, unpredictable, and poignant story that leaves some questions unanswered.
A disturbed Texas girl struggles with a difficult family and uncontrollable impulses in Lewis’ debut novel.
In 1952, when she was 9, says Tessa, “Something opened in me.” That something was the ability to speak; before, she’d communicated only through a repertoire of dances. Even now, Tessa must move restlessly “to help me find the words.” She lives in Yoakum, Texas, with her mother, Virginia, who dreams of becoming a country-and-western star, and Grandma Bernice, who’s devoutly religious, but prurient and critical. Despite such outbursts, the family keeps many secrets, such as the fact that Tessa’s great-grandfather, who’s white, had an African-American mistress. The girl also seldom sees her father; as the only child she knows with divorced parents, she feels “like there was a crack right down my middle….it had its own voice, which screamed for everyone to look at the strange girl.” Tessa only grows stranger as her mother pursues romance, a baby sister is born, and other changes arise; she struggles with jealousy and her need for attention, and often blurts out spiteful pronouncements. She also sees and talks to the dead, has visions, and hears inanimate objects speak. After many travails, however, Tessa finally finds a new kind of independence. In her debut novel, Lewis uses delicate, precise language to describe over-the-top events, which helps add to the atmosphere of oddness that surrounds the story. This language is complicated by ambiguity, so that it’s often impossible to tell whether Tessa is having real mystical experiences or going insane, or whether the world has gone crazy and the girl is responding to it with imaginative creativity. It’s an intriguing puzzle, but about halfway through the book, Tessa’s strange outbursts and episodes start to feel repetitive and lose their sense of drama. Nevertheless, the book is haunting in its presentation of the protagonist’s primal, raw emotions, such as her longing for a loving father, her deep need to be seen and heard, and her complicated feelings surrounding sexuality.
A compelling, unpredictable, and poignant story that leaves some questions unanswered.Pub Date: Jan. 20, 2021
ISBN: 978-0-578-80964-9
Page Count: 319
Publisher: Flying Horse on Fire Books
Review Posted Online: Jan. 9, 2020
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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