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THE GOLD MINER’S DAUGHTER

A MELODRAMATIC FAIRY TALE

With folktale characters crowding the supporting cast, a sturdy heroine sets out to rustle up some gold to save her mine, house and hand from an oily banker in this elaborately staged—if not particularly well-knit—potboiler. Opening and closing in a lavishly appointed theatre before an all-animal audience, but otherwise set amidst dusty western hills, the play sends intrepid Gracie Pearl to town in a desperate search. There she finds that evil Bigglebottom, the banker, has seized the Golden Goose, tricked Rumpelstiltskin into a violent departure, sicced his trio of bears onto Goldilocks and for good measure tied three pigs to the railroad tracks for nonpayment of housing loans. None of these figures play any significant role, however; they just act as filler until, when the banker returns to claim his due, Gracie Pearl fights back so hard that the ground cracks and up comes a “black gold” gusher. Rebuses in the text provide visual cues for hissing and cheering, but Goodell’s elaborately detailed scenes will likely be a stronger draw for young readers. A good try nonetheless, and a natural for fans of the likes of Lisa Wheeler’s operetta Seadogs (2004), “staged” by Mark Siegel. (Picture book. 7-9)

Pub Date: March 1, 2006

ISBN: 1-56145-362-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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THUNDER ROSE

Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)

Pub Date: Sept. 1, 2003

ISBN: 0-15-216472-3

Page Count: 32

Publisher: Silver Whistle/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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HORRIBLE HARRY AT HALLOWEEN

Every year since kindergarten, Harry’s Halloween costume has gotten scarier and scarier. What’s it going to be this year? He’s not telling. His classmates are all stunned when he shows up, not as some monster or a weird alien (well, not really)—but as neatly dressed Sgt. Joe Friday of Dragnet fame, wielding a notebook and out to get “just the facts, ma’am.” As she has in Harry’s 11 previous appearances (15, counting the ones his classmate Song Lee headlines), Kline (Marvin and the Mean Words, 1997, etc.) captures grammar-school atmosphere, personalities, and incidents perfectly, from snits to science projects gone hilariously wrong. She even hands Harry/Friday a chance to exercise his sleuthing abilities, with a supply of baby powder “fairy dust” gone mysteriously missing. As legions of fans have learned to expect, Harry comes through with flying colors, pinning down the remorseful culprit in 11 minutes flat. No surprises here, just reliable, child-friendly, middle-grade fare. Illustrations not seen. (Fiction. 7-9)

Pub Date: Sept. 1, 2000

ISBN: 0-670-88864-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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