An unevenly written anti-war, gender-fluid, and environmentally conscious tale.
In this novel, Anderson-Minshall (co-author: Queerly Beloved, 2014, etc.) tells the stories of a transgender man, the son he adopts, and the daughter he gave up.
Flint Douglas, an intersex teenager, counts himself blessed to have found Coyote “Ki” Douglas, who adopts him after he experiences years of abuse from foster parents. Ki’s compassionate act gets Flint off the streets and into a protective environment, where he’s allowed to grow into his body and emotions. This comfortable hideaway begins to crumble, however, when Ki is informed that his biological daughter, Brooke, has become ill while serving in Iraq and needs a kidney transplant. While reconnecting with his daughter and traveling with his adopted son, Ki’s past is revealed. Flint learns about his father’s origins, the abuse he suffered as a child, and the salvation he eventually found from “a well-dressed middle-aged gay man.” The more Ki tells Flint about his life, the more the teen relates to him. In the end, Ki passes on his wisdom and knowledge to the young man, who believes the key to keeping Ki’s lessons alive is sharing a fable of the Salmon People, which Ki used to tell to schoolchildren. Anderson-Minshall manages to juggle several major political topics, including war, green living, and even video game violence. Some of the plotline involving gender identity brings to mind Shakespeare’s Twelfth Night, and the Iraq-set war scenes are reminiscent of the Afghanistan-set 2007 book Lone Survivor. There’s a particularly significant anti-war theme; at one point, Flint thinks that American combat soldiers fighting had no guilt about their actions, which “made them far from innocent, and he kind of thought they deserved to get hurt or at least become shell-shocked.” Anderson-Minshall’s descriptions, however, can be overly thorough and misplaced: An early chapter is spent distinguishing Sunni from Shi‘ite Muslims and the treatment of Iraqi Muslims versus Native Americans, with Brooke as an incidental detail in the background, thinking that she’s dying. And despite all the political dialogue in this book, there’s little real conversation for the first 40 pages or so.
An unevenly written anti-war, gender-fluid, and environmentally conscious tale.Pub Date: April 1, 2018
ISBN: 978-0-9982521-7-9
Page Count: 382
Publisher: Transgress Press
Review Posted Online: May 11, 2018
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
