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INFERNO DAWN

THE FINAL NAME

A remarkable fantasy series opener built on bold characters and startling real-world parallels.

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In this fantasy, humanity has used technology to defeat several magical races, but total victory is not yet secure.

In the city of Silverfell, a man called Dryden visits the Silver Tongue tavern. There, beautiful elf women—and some men—sell their bodies alongside mugs of ale. Such is their plight after humanity used guns and mechanical might to defeat elves, orcs, and goblins almost a century ago in the Great War. Dryden meets Saya and Astanava, two elf women, while drinking. As he becomes hopelessly smitten with Astanava, he witnesses Earl Edard Kenton and his knights enter the tavern and harass Saya. Dryden’s secret—that he’s a Dartmoth prince traveling incognito—could halt the situation if asserted publicly. Instead, he attempts fisticuffs, which ends with him and Astanava landing in jail and Saya getting raped. Meanwhile, in the town of Osh, Fane Ganbaatar is an orc sheriff. Osh hosts the Book of Destiny in the temple complex of Issik Kul. The Book contains “a running list, thousands of pages long, of the...names of every person that would ever see the book, in chronological order.” One day, representatives of King Broderick Dartmoth come to inspect the Book. The endgame of Cole Wynton and his men is to confiscate and/or destroy all magical artifacts and weapons in Osh. Fane hopes to keep his enchanted ax a secret for as long as possible. And in the royal capital of Syerfordge, the king and his council plan to quell orc violence to the south once and for all—by firebombing the city of Angkor-Toll. In this dark series launch, Emrey (Millennium Stone, 2015, etc.) chooses a fertile time period, post–Great War, for the setting of his epic of heroism and race relations. As a royal, Dryden has access to era-specific technology, like a single-prop fighter plane and a Motor K automobile. He also has the privilege of springing himself from jail whereas the marginalized Astanava ends up at the mercy of Ser Dex Morton, a licentious prison warden. The author maximizes the scope of his narrative by having chapters follow Dryden, Astanava, and Fane down personalized alleys that converge after the stakes have risen. A humiliating flogging leads to Astanava’s accessing latent powers that Lt. Shpava, leader of an elf rebellion, deems invaluable. Angkor-Toll, once a hopeful city but now a ghetto, is filled with the downtrodden of every race. Blue and red fire dust, stand-ins for heroin and crack, have warped orc society and given King Broderick and his militant brother, Sawyer, their excuse for more war. Among the royal siblings, including Liliana, with whom Dryden is closest, only the globe-trotting prince argues that “dust is the problem,” not those addicted to it. Astanava’s transformation into a more empowered, if ghoulish, character is thrilling to behold. Fane and Dryden develop along entertaining, if slightly more predictable routes. Emrey’s greatest success lies in maintaining a shared spotlight for all three of his protagonists. On the verge of a second Great War, each character is poised to drive the sequel toward steeper dramatic heights.

A remarkable fantasy series opener built on bold characters and startling real-world parallels.

Pub Date: Nov. 15, 2019

ISBN: 978-1-63393-845-8

Page Count: 434

Publisher: Koehler Books

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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