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NO RIGHT TO AN HONEST LIVING

THE STRUGGLES OF BOSTON’S BLACK WORKERS IN THE CIVIL WAR ERA

A brilliant exposé of hypocrisy in action, showing that anti-Black racism reigned on both sides of the Mason-Dixon Line.

Superb social history of a Boston that, while nominally abolitionist, found little room in its 19th-century economy for Black workers.

In the years leading to the Civil War, writes Bancroft Prize–winning historian Jones, Black Bostonians faced numerous obstacles. There was old-fashioned “overt racial prejudice,” and then there was the related “hard-nosed calculation that the white laboring classes were too potent a political force to aggravate with calls for Black economic opportunity.” Competition with newly arrived Irish immigrants for low-wage work often saw Blacks unable to secure adequate employment. Given that “wage earning was a key signifier of citizenship,” Blacks in Boston were effectively less than full citizens. Even the onset of Civil War and, in time, the admission of Black troops into the Army did little to address basic inequalities. As so often explains matters historical, much of this had to do with economics. For example, while laws that “required Black seamen to be incarcerated while their ships were in southern ports” may have drawn murmurs of protest on the parts of sailors and abolitionists, the shipowners were disinclined to join them, recognizing that those ports represented money. In the end, Jones shows with her characteristic combination of meticulous research and able storytelling, while Blacks constituted a small segment of the professional classes, many more required public assistance, which worked, abolitionists feared, to prove that Blacks were naturally indolent and that their objection to “ill-paid, disagreeable work was somehow a function of their ‘race.’ ” Even after the war, nothing changed: Many Boston jobs required political patronage available only to White workers, and as a result, “for the period 1865 to 1920, Black men constituted just barely 1 percent of the commonwealth’s workforce.” Arguably, those patterns of old endure today, if perhaps better disguised than the open racism of old.

A brilliant exposé of hypocrisy in action, showing that anti-Black racism reigned on both sides of the Mason-Dixon Line.

Pub Date: Jan. 10, 2023

ISBN: 978-1-5416-1979-1

Page Count: 544

Publisher: Basic Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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