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PICTURE THIS

Sheehan uses her skills as both a psychologist and a writer to create a solid, insightful story that will leave fans eagerly...

Surrounded by her Peaks Island friends, widow Rocky Pelligrino’s emotional journey continues in Sheehan’s sequel to Lost & Found (2007).

Rocky, a psychotherapist, has settled comfortably into a rental house on Peaks Island, off Portland, Maine, with her beloved black lab, Cooper. Her husband Bob's sudden death just 15 months earlier shook her entire world, but her stay on the island has given Rocky some much-needed time to adjust to and reflect on the changes that have occurred. Although she is working as a game warden and enjoys her new job, Rocky must face a difficult decision: Should she stay on the island or return to her counseling job at a university on the mainland? Rocky has forged close friendships with several of the locals in this special close-knit community, including Tess, an elderly physical therapist and rental property manager; her boss, Isaiah; and Melissa, a teenager who struggles with anorexia and is completely devoted to Cooper and Rocky. Still in the throes of trying to redefine her life, Rocky even has begun to take the first steps toward falling in love again with Hill, her archery instructor. Then two events occur that help Rocky decide. She buys an old house that she feels a strong connection to and makes plans to renovate, and she receives a phone call from Natalie, an 18-year-old girl who is searching for her biological father. In Natalie, Rocky discovers a troubled and secretive person, the product of an abusive foster care system. Rocky’s empathetic nature and background as a therapist compel her to help Natalie, and she invites her to stay with her on the island while Natalie searches for a job. As her guest settles into the daily life on Peaks Island, Rocky is determined to heal Natalie’s wounds as well as her own and to uncover the truth about her young visitor’s origins.

Sheehan uses her skills as both a psychologist and a writer to create a solid, insightful story that will leave fans eagerly awaiting another visit from the strong heroine, her dog and her friends.

Pub Date: May 22, 2012

ISBN: 978-0-06-200812-1

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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