A bonkers fantasy that retains a sweetly human center.
In this fantasy adventure, a young woman explores her true potential while aiding a thief with otherworldly powers.
Madarena Rua, who is “young enough to be tried as a juvenile,” can’t sleep. Despite her father’s snoring, she hears flower pots breaking in the garden. From the doorway, she sees what must be a cat—yet it’s walking on hind legs. She chases it into the bushes only to discover that her quarry is a small, bald man. His name is Apophax, and he seems grateful for help getting out of the bushes. Madarena assumes she’s dreaming. When Apophax asks where a nearby cemetery is, she walks him there. He lends her his coat of hedgehog quills to keep her warm. Even more strangely, he then begins to fade away into the moonlight. As she tries to remove the coat, a creature that looks like a living statue of Anubis approaches. It says: “Apophax. You have broken the laws of Triskadeka Fair.” The dog-headed enforcer then takes her up a stairway of light to a court that’s bound to find her guilty. So begins Madarena’s entanglement with the trickster Apophax, who has a plan to steal the Aoede statuette from the Night Mayor of Triskadeka Fair. Once the Moirai Sisters Clothiers dresses Madarena in “Potential,” her real adventure kicks into gear. Burnett harbors a deep love for the absurd, using his imaginative skills to the hilt, as did L. Frank Baum in The Wonderful Wizard of Oz. Madarena’s ability to drive her own story begins when she’s in prison and draws a face in chalk on the floor. She then convinces the talking cell to release her. Such unexpected cleverness continues to gush like a geyser as the tale proceeds. The author’s appealing hero loves the dictionary and has a “deep fear of ennui,” which produces lots of wordplay. The Thanatons, for example—named after the Greek god of death—are a race of monsters that includes zombies and wights. Trying to find the person or thing that is named Aoede gives emotional stakes to a narrative that might have easily drowned in silliness. Madarena’s hatred of boredom could provide fuel for a sequel exploring the “quaquaverse.”
A bonkers fantasy that retains a sweetly human center.Pub Date: April 27, 2021
ISBN: 978-1-7346642-2-5
Page Count: 226
Publisher: South Window Press
Review Posted Online: March 22, 2021
Review Program: Kirkus Indie
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.
A fantasy adventure with a sometimes-biting wit.
Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.Pub Date: April 4, 2023
ISBN: 9781250899651
Page Count: 384
Publisher: Tor
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
SEEN & HEARD
Prepare yourself for the long haul. This is expansive, emotionally complex, and bound to suck you in.
Magic, dragons, and prophecy are welcome threads in a fantasy that extols the power of motherhood, friendship, and self-love to change the world.
This prequel to Shannon’s The Priory of the Orange Tree (2019) has a similar scope to that 800-page fantasy, but dragon lore is less important here than the stories of people and events that become catalysts for The Priory's tale. Each chapter is grounded by a cardinal direction, lest you lose your bearings, with the four corners of the world home to central characters whom readers will get to know intimately. In the West lives Glorian, heir to the queendom of Inys. Her rule is based on the sacred Berethnet bloodline, whose power originates from the knight Galian Berethnet's banishing of the Nameless One, a giant fire-breathing wyrm birthed from the world’s core. In the East, Dumai lives on a mountain peak and trains as a godsinger, someone who harbors a human connection to the dragons the East worship as gods. In the South, Tunuva is a warrior of the Priory, a sisterhood that worships the Mother who is seen as the true banisher of the Nameless One. Their beliefs are so different and their societies so distanced that they don't know of the others' existence. And yet, when the balance of nature starts to waver, bringing whispers of new fire-breathing threats like the Nameless One, these women find themselves united by a common cause to save their people and seek truth about the higher powers at war with one another. This story is epic in scope, but its density is the sort that pulls you in. The biggest pull comes from the humanity displayed by the central characters, whose hearts ache for their children and their futures in a world fraught with turmoil. The fire-breathers bring more than destruction in their wake; they also bring a plaguelike sickness that will elicit sharp parallels to the Covid-19 pandemic. The very real struggles these characters face, whether they ride dragons or bear the suffocating rules of monarchy, make this a consuming read. While some fantasy tropes feel like they've only been added to the story's surface, the pages keep turning because of the heart-wrenching reasons that characters are driven to action. The heroes shine in their uniqueness, with diverse family dynamics interwoven throughout and representation ranging from queer lords and warriors to genderfluid alchemists. This prequel stands on its own, but a word of warning to people who have read The Priory: You'll want to reread it in order to benefit from the deeper knowledge of what came before.
Prepare yourself for the long haul. This is expansive, emotionally complex, and bound to suck you in.Pub Date: Feb. 28, 2023
ISBN: 978-1-63557-792-1
Page Count: 880
Publisher: Bloomsbury
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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