by James Allen & illustrated by András Barlogh & developed by James Allen ‧ RELEASE DATE: Aug. 21, 2013
Reverent for all its gently tweaked premise but careless with cultural markers.
In this deceptively solemn retelling of the Epiphany, the three kings not only travel with their wives to Bethlehem, but defer to their sensible suggestions for gifts.
Following a course traced by fingertip on a very generalized recurring map, Queen Hekima and King Balthazar travel from North Africa to pick up King Caspar and Queen Sophia in the Balkans and King Melchior and Queen Mingzhi in China. The party then makes its way to Bethlehem to kneel and worship at the manger—with the traditional gifts rather than, as the kings first impractically propose, a live lion, a heavy golden crown and a massive throne. Along with a tap-activated chorus of angels and occasional camel noises, snatches of “We Three Kings” and other music play in the background on short loops; touching the angel icon beside each block of text activates an even-toned audio reading. The cutout figures in Barlogh’s illustrations are dressed in richly colored if generic regional costumes. They drift or change position with a tap amid, in some scenes, tilt-sensitive showers of leaves or cherry blossoms. Handsome as it is, the art is a weak link; in one scene, book-loving Sophia points to a scroll of Latin that accompanies a picture of an infant baptism as she refers to the baby being “blessed at the Temple.”
Reverent for all its gently tweaked premise but careless with cultural markers. (iPad holiday app. 6-9)Pub Date: Aug. 21, 2013
ISBN: N/A
Page Count: -
Publisher: James Allen
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Doreen Cronin & illustrated by Harry Bliss ‧ RELEASE DATE: Aug. 1, 2005
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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