Flawed, but surprisingly engrossing.

APOSTLE PAUL

A NOVEL OF THE MAN WHO BROUGHT CHRISTIANITY TO THE WESTERN WORLD

Another knock-off of Anita Diamant’s The Red Tent: this time, the story of Saint Paul.

In this fictionalized account by former journalist Cannon (Time and Chance, 1993), Saul zealously devotes himself to Torah study after his beloved mother’s death. He earns a post as clerk on the Sanhedrin, the rabbinical court, and eventually becomes the chief persecutor of those who followed the recently crucified Jesus of Nazareth. After his dramatic conversion (and name change) on the road to Damascus, Paul becomes a leader of the new religious movement, spreading the gospel throughout the gentile world. There is, of course, a romantic sub-plot. Paul and his childhood sweetheart Phoebe separated when he left Tarsus to study at the school of Rabbi Gamliel, but she never lost sight of her beloved, and when she learned that he had become a Christian, she followed suit. Years later, the two meet up again, and though Paul declines to marry Phoebe—he worries that marriage would interfere with his mission to carry the Good News around the world—the two rekindle a certain friendship, and she becomes one of his most trusted delegates. Paul is articulate and fiercely devoted to the cause, but he is not perfect. As a young man, he is prideful and arrogant. After becoming a devotee of Jesus, he finds himself jealous and critical of James, Jesus’ half-brother, and of Peter, one of the original disciples. Paul thinks James “pretentious” and “defensive,” and deems Peter “woefully unprepared” to oversee anything “larger than a fishing boat.” The novel slows down a little when it comes time for Paul to draft his famous epistles; it would take a writer more skilled than Cannon to make chapter after chapter of letter-writing gripping. And, throughout, the book is marred by stilted prose: “Chattel I am,” one character laments. “To be sold for silver, like a lamb to be sacrificed.”

Flawed, but surprisingly engrossing.

Pub Date: Nov. 8, 2005

ISBN: 1-58642-094-1

Page Count: 432

Publisher: Steerforth

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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