by James Conway ‧ RELEASE DATE: June 14, 2012
Sure to unsettle readers who check their investments 10 times a day.
Fascinating, if uneven, debut thriller that links Wall Street treachery to international terrorism.
Credit debut author Conway, pseudonym for a hedge fund insider and an ad firm global strategy planner, for a premise that layers the threat of international terrorism onto the world’s considerable anxieties over a global economic collapse. It’s a double whammy that, as Conway lays it out, seems plausible. The notion is that far darker villains than Bernie Madoff may lurk about Wall Street, namely international terrorists who seek to bring the country down through financial disaster. A glimmer of what’s afoot first appears to Drew Havens, “a CUNY-educated nobody” crunching numbers for Citibank in Long Island City. Havens is spotted by Wall Street shark Rick Salvado, who admires Havens’ crack ability to spot stocks ripe for short selling (some readers may need a tutorial to follow the author’s complicated expositions on this topic). Following Havens’ canny insights, Salvado’s firm, Rising Fund, soars. Havens soon finds the work distasteful and wants out. About to bail, he’s alerted by Danny Weiss, a co-worker, that Rising Fund is involved is some peculiar, suspicious trades. Then Weiss is rubbed out, leaving behind several coded messages that Havens endeavors to decipher. In Hong Kong, meanwhile, another trader is taken out just as he, too, made a series of trades in computer stocks. That murder brings onto the scene Cara Sobieski, who, as part of the newly formed Terrorism and Financial Intelligence task force, suspects that some sort of Wall Street jihad approaches—a possibility Havens also suspects as he begins to understand Weiss’ cryptic jottings and as other murders of traders follow. Conway effectively links Havens’ and Sobieski’s personal lives to their careers, giving the characterizations texture. Divorced and racked by family tragedy, Havens seeks solace in statistics. After a series of failed relationships, Sobieski turns to promiscuous sex. Alas, their troubles play out in scenes that, hampered by clichés and stilted dialogue, often go thud.
Sure to unsettle readers who check their investments 10 times a day.Pub Date: June 14, 2012
ISBN: 978-0-525-95282-4
Page Count: 416
Publisher: Dutton
Review Posted Online: May 19, 2012
Kirkus Reviews Issue: June 1, 2012
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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