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SECRETS OF THE SPHINX

A characteristically solid text is accompanied by gorgeous illustrations to tell the life and times, with a few diversions, of the Sphinx. Giblin provides an overview of Egyptian prehistory and burial customs before launching into the building of the monumental statue, always carefully bringing readers up to date on the most current archaeological discoveries and advising readers where current scholarship is still in the dark. He covers the statue’s gradual destruction by time, the elements, and hostile invaders, as well as attempts at restoration in the modern age. Ibatoulline adapts his style admirably to nonfiction, full-bleed gouache-and-watercolor paintings depicting the Sphinx at various moments in its existence, the text’s diversion into crackpot theories that associate the Sphinx with Atlantis providing fodder for more fanciful work. He makes evident the gigantic size of the statue through the striking use of perspective and scale: many tiers of staging support myriad tiny workers against its massive bulk. The author’s enthusiasm for his subject and the stories around it come through clearly, and an annotated bibliography grounds the enthusiasm in fact. (Nonfiction. 9-12)

Pub Date: Oct. 1, 2004

ISBN: 0-590-09847-0

Page Count: 48

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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CIVIL WAR ARTIST

It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)

Pub Date: April 1, 1999

ISBN: 0-395-91426-4

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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QUENNU AND THE CAVE BEAR

paper 1-895688-87-6 Day uses the prehistoric tale of a young girl coming to terms with her fear of bears to explore the world of cave art. Quennu might be able to handle woolly mammoths and sabre-toothed tigers, but cave bears give her the willies. Her clan’s shaman gives her a bear tooth as a talisman to conquer her fear. On the day when the shaman summons all the people to the cave for an ecstatic painting ceremony, Quennu enters the cave after the others have gone on ahead. At one point she is sure she sees the fiery eyes of an enormous cave bear, yet she carries on, the tooth giving her strength. When she finds her clan in the shadowscape of a great chamber, they are singing and dancing and chanting and applying brushes to the cave walls. Quennu joins in, painting the bear, and putting to rest her fears of the creature, but not her respect for it. Day delivers charged, swirling color and smoky imagery in her illustrations, plus the frisson of transportive mystery that may turn children into future history majors. An explanatory page at the end puts the action into context. (Picture book. 7-11)

Pub Date: April 1, 1999

ISBN: 1-895688-86-8

Page Count: 32

Publisher: Firefly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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