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THE DWARF, THE GIANT, AND THE UNICORN

A TALE OF KING ARTHUR

An authentic Arthurian romance inspired this foray into fiction for Giblin (When Plague Strikes, 1995, etc.). Early in his reign, young King Arthur and his knights are shipwrecked on an uncharted island where the king meets and converses with a dwarf who lives in a giant tower. The dwarf nervously tells Arthur his story: His wife died during childbirth, but his son survived, and was suckled on the milk of a unicorn. As a result, the boy grew to giant size and has killed everyone who has landed on the island out of misunderstanding—thus, the dwarf's apprehension. The giant is at first suspicious of Arthur but allows himself to be reassured, agreeing to help the shipwrecked survivors. The book's main theme—destroying out of fear—is nearly manifested when Arthur introduces the giant to his shipmates, but cooler heads prevail, and everyone works together to relaunch the boat. Ewart's vivid watercolors bring a sense of wonder to the tale, especially as the giant pushes the ship like a toy. Giblin's ending is happy, if a bit easy: the dwarf, the giant, and the unicorn become the newest citizens of Camelot—but no message of acceptance or tolerance is ever wasted. An author's note provides commentary on the story's centuries-old origins. (Fiction. 7-10)

Pub Date: Oct. 18, 1996

ISBN: 0-395-60520-2

Page Count: 48

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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