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BUSTER KEATON

A FILMMAKER'S LIFE

Meticulous research informs a brisk biography of an entertainment icon.

A life of the Great Stone Face.

Film historian and biographer Curtis draws on abundant archival sources as well as interviews, memoirs, and previous biographies to create a comprehensive, warmly sympathetic life of iconic entertainer Joseph Frank “Buster” Keaton (1895-1966). Born into a family of traveling performers, Keaton made his debut as a toddler, featured along with his parents as one of The Three Keatons. “Broadly acrobatic,” he quickly discovered the power of a deadpan expression to elicit laughter, and his porkpie hat, rumpled clothes, and sad eyes became as well-known and beloved as Charlie Chaplin’s bedraggled Little Tramp. In 1917, he ventured out on his own; by 1920, he was hailed by a studio head as “the greatest comedy sensation since the heyday of Charlie Chaplin and Roscoe Arbuckle in two-reelers.” After serving as Arbuckle’s assistant director, Keaton moved into directing and producing, setting up his own studio to make shorts and feature films. In lively detail, Curtis—biographer of Spencer Tracy, Preston Sturges, and W.C. Fields, among others—recounts the highs and lows of Keaton’s prolific career, tracing “the development of gags, the logic of gags, the mechanics of gags” as he acted on stage and in silent movies, talkies, and TV, including being cast in a film by Samuel Beckett and performing with Chaplin in Limelight. Outside of work, Keaton experienced “personal chaos,” including his marriage to fellow actor Natalie Talmadge, which lasted 10 years and ended in acrimonious divorce, incited, in part, by his heavy drinking. His second marriage, to a woman who nursed him through a regimen of drying out, lasted only a few years, as did his abstention from alcohol. In 1935, he ended up in a “psychopathic ward.” Finally, in 1940, he married happily. In this authoritative portrait, Curtis portrays his subject as “a gentle soul, so quiet and unassuming,” sometimes startled by acclaim and happiest when he was working. A chronology of films and TV appearances is appended.

Meticulous research informs a brisk biography of an entertainment icon.

Pub Date: Feb. 15, 2022

ISBN: 978-0-385-35421-9

Page Count: 832

Publisher: Knopf

Review Posted Online: Nov. 1, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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