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SNOW MOUNTAIN PASSAGE

Is there yet any doubt that the historical novel is alive and well once again? Houston has made another significant...

A well-researched and vivid retelling of the Donner Party's 1846 winter ordeal and the struggle for control of the California territory.

This time, there's a dual narrative, shared by elderly Patricia Reed's "Travel Notes" recalling her family's experiences and an omniscient story focussed primarily on her father James Frazier Reed, who had been "banished' from the Donner Party (and thus separated from his family) after he had killed a neighbor in self-defense during a fight. This split focus is occasionally distracting, but it does create considerable suspense, as the bulk of the tale recounts Reed's solitary "passage" through the Sierra Nevadas to the West Coast, where he falls in with such hardy souls as California "liberator" John C. Fremont, Commander John Augustus Sutter (a "self-appointed ambassador at the farthest edge of the civilized world"), and Abner Valentine, an amoral opportunist whose ragtag "militia" uses the occasion of the (recently begun) Mexican War for plunder and profit. Houston (Continental Drift, not reviewed, etc.) subtly links the acquisitive energies of these and other adventurers to the pride that had set Reed apart from, and in opposition to, his westering companions (his family of six had traveled in a lavishly furnished "Palace Car" that exhausted the oxen pulling it), which his daughter—years after he had returned as one of their rescuers—understands and forgives ("It was his own desire and refusal to be thwarted that had put us on the trail . . . and also brought him back into the mountains to carry on the journey"). And when the details of how the starving, exhausted travelers (who were stranded in the Sierras through an unusually cruel winter) are revealed in a long, harrowing climax, the novel gathers real tragic force. This is one of the essential stories of the American westward movement, and seldom has it been told with such exemplary passion and pathos.

Is there yet any doubt that the historical novel is alive and well once again? Houston has made another significant contribution to the genre's revival.

Pub Date: April 3, 2001

ISBN: 0-375-41103-8

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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