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OUT OF MY SKULL by James Danckert

OUT OF MY SKULL

The Psychology of Boredom

by James Danckert & John D. Eastwood

Pub Date: June 9th, 2020
ISBN: 978-0-674-98467-7
Publisher: Harvard Univ.

If you can read the signs, boredom might just be your friend.

Boredom, note the authors, betrays a fundamental human need to be engaged with the world and to have agency in our actions. Taking a psychological approach to a universal condition, Danckert, a cognitive neuroscientist, and Eastwood, a clinical psychologist, seek to unify a fragmented area of inquiry and provide a framework for further study. The authors loosely define boredom as having the desire to do something but being unmoved by the options open to you in the moment. It is a subject full of both obvious and counterintuitive features (a little obvious in some of the authors’ discussions). Boredom is sending us a message, write the authors, and it’s anticipatory, a call to act. But boredom is biological, and our strategies for dealing with it are subject to paradox: “Our drive to avoid the distress of being bored can lead us to some dark places”—e.g., internet addiction and isolation. The authors claim that research suggests boredom is both a transient state and a disposition, that some of us are more prone to boredom than others, and that age is one of many factors—again, rather self-evident. While there is much of value in their presentation and the analyses of the work of other researchers, complete with a bevy of potentially useful insights, lay readers will have to hack through thickets of repetition to find it. With minor variations, Danckert and Eastwood tend to establish the same definitions and make the same points over and over. This is all clearly fascinating to the authors, who demonstrate their enthusiasm, and doubtless to colleagues involved in the subject, but one can’t escape the feeling that this entire book could have been distilled quite effectively into 50 pages.

Sound research and informed speculation best suited to an academic audience.

(6 photos; 2 illustrations)