Rich characterization and sharp writing turn just another werewolf tale into something special.
A teen’s shocked to learn that not only is a werewolf running loose in town, but it may be his best friend, in this debut novel and start of a supernatural series.
Toby Hoffman’s been a heavy-hearted recluse since losing his mom in a car accident when the young man was behind the wheel. Silver Falls, Oregon, may have a bright spot, however, with 16-year-old Rachel Chochopi as Toby’s new neighbor. Rachel’s friendly but despises bullies, convincing Toby’s best friend, Nate Schaffer, at school to defy browbeating Mike Mulligan and not give the jock his homework. Mike and his goons later retaliate against Nate, chasing him in the woods and leaving him trapped in a cavern. Luckily, a worried Toby and Rachel find Nate relatively unscathed in a torn, bloody shirt—but the stains aren’t his blood. There’s also a mutilated body out there, just like the one Toby’s sheriff dad, Walter, investigated earlier. Rachel’s uncle, Bimisi, wants her to return to the Umatilla Indian Reservation, fearing a legendary shaman is hunting the “white intruders.” Toby’s more concerned about Nate, positive his buddy’s new heightened senses—hearing, for example—and strength are indicative of a lycanthropic state. Not surprisingly, parents, including the sheriff, are reluctant to believe a werewolf’s responsible for a string of savage murders, so Toby and Rachel may have to stop the creature themselves. The brisk novel retains a straightforward plot by going the traditional route: a wolf-attack survivor inevitably becomes a lycanthrope, while silver bullets offer the best defense. Drummond aims for young adults, though there are dark moments. A few characters blurt obscenities, and gory parts abound—there’s definitely a lost limb or two. But it’s more exhilarating than horrific thanks to a speedy tempo and humor both subtle (potential wolf Nate loves monster-hunting games) and gleefully unsubtle (Wolfy’s Diner?). Drummond’s prose is likewise crisp and witty, with Nate watching a “pink lemonade dawn,” followed by “one of his sporadic, hypochondria-induced Internet searches.” The ending teases a sequel, but one that could expand Toby’s world, as well as the series, in curious new directions.
Rich characterization and sharp writing turn just another werewolf tale into something special.Pub Date: Aug. 2, 2014
ISBN: 978-1-5007-2447-4
Page Count: 388
Publisher: CreateSpace
Review Posted Online: June 7, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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