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THE MOSQUITO BITES

Name: THE MOSQUITO BITES
Author: James Frazee
ISBN: 978-1-63524-636-0

A MYSTERY NOVEL

by James Frazee ‧ RELEASE DATE: Jan. 9, 2017

Solid characters steer a tantalizing mystery that’s unhurried but more than worth its while.

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In this debut thriller, recent hires at a chemical company learn there may be a coverup regarding a new product’s nasty side effects.

Alex Gregory’s doctorate in statistics and minor in chemistry earn him his first “ ‘real’ job” at Sterling Chemicals, overseeing pesticide field testing and data analysis. Small-town Alex has barely settled into his New York City high-rise office when he gets a strange call from Cindy, the widow of Dr. Peter Hudson, whose fatal heart attack vacated the position Alex now holds. Cindy, trying to reach HR, inadvertently dials Peter’s number and reaches Alex, a complete stranger with whom she’d like to talk about her deceased husband. At a coffee shop, she claims Peter was too close to something at Sterling, and his death was actually murder. The new administrative assistant (and Alex’s potential romantic interest), Leslie Sherwood, hears of another former employee’s unusual exit—Dawn Manning simply stopped showing up at work. Meanwhile, Alex and Leslie are unnerved by a blue-shirted man who they’re fairly certain is following them. All of this likely stems from a pesticide in development, with a high kill rate for bugs but whose potential lethalness for humans Sterling may have intentionally buried. The tale’s measured pace deftly establishes characters (Alex and Leslie bond during the company’s dreary orientation) and plot (employees suspiciously avoid any discussion about Peter). Frazee’s details are sometimes excessive, like specifics on how to run an espresso machine. But the introduction of a slowly approaching menace is effective, namely the recurring man in the discernible blue shirt, who’s innocuous at first but decidedly more frightening once Sterling workers link him to probable murder. The mystery, too, is both alluring and appropriate in its white-collar relevance: a document inexplicably missing from a file signifies something sinister, while another one hidden in Alex’s office is pure intrigue. The ending, though a bit rushed, is realistic and left predominantly open.

Solid characters steer a tantalizing mystery that’s unhurried but more than worth its while.

Pub Date: Jan. 9, 2017

ISBN: 978-1-63524-636-0

Page Count: -

Publisher: LitFire Publishing

Review Posted Online: April 26, 2017

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.