Backward, ever backward, through sentences which sinuously, sonorously curl around parenthetical phrases and elliptical clauses, "vagariously" winds this retrospective of the life of Henry Dodd Worthington as now through "experience's actual disorder and inconsecutiveness" he tries to reconcile himself as he was (sufficiently remote to elicit a third person referral) with the man he now is in late middle age. . . . This doubtful construction is only intended as a warning to readers of Mr. Cozzens' new book which is his first novel in ten years and in which he has completed his mastery of the involute sentence. (Ibid.: "Heart conturbed, with dissolution's icy wind on him he does not, he cannot, elect to look ahead and, trembling, prefigure in the final gloom of night the river's calamitous sliding without intermission over the rock edge and wreathed with spray and vapor thundering down.") For those not by patience possessed, trying. . . . En avant—with Cozzens' Last Puritan as he assembles the parts of his life which, with a certain amount of grave questioning and judicious qualifying, have been important in this spectator-participant's total experience: his birth from a long line of acknowledged academic eminence and material affluence; his grandfather, seer and sage, who lived until 99 and repudiated Freud; his first seduction—an "unnerved unable blushing boy" at the hands of-an older woman; his marriage and divorce; his impatience with the marital capriciousness of his' daughter; his own ingenuous stance as a young man who found the workaday world of money unrelated to real life and its later reversal as via a Mind Power course he achieved a Madison Avenue empire, etc. etc. This reflective reconnaissance of "the kinds of unknowing in individual human experience" if parsed and pursued to its conclusion some six lines later, is intended to have "meaning for every man." Perhaps for Mr. Cozzens' admirers, although in Henry Dodd Worthington he seems to have removed himself to a considerable degree from his time and ours.
Pub Date: Aug. 1, 1968
ISBN: 0151621608
Page Count: -
Publisher: Harcourt, Brace & World
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Aug. 1, 1968
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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