Swift-moving prose along a twisting storyline lends this brilliant book the feel of a mystery.
An accomplished work of scholarly detection that plays out against the background of the English colonization of Virginia.
Opechancanough, the center of Virginia historian Horn’s narrative, was abducted from his Chesapeake Bay homeland by Spanish sailors in the 1550s and taken to Mexico and Spain, where he met King Philip II. Recorded in the Spanish annals as Paquiquineo, a name simplified as Don Luis, he converted to Catholicism and promised to help the Spanish establish a colony on Powhatan lands, the site of a tight confederacy of Native nations. After returning there, however, he organized the massacre of Jesuit priests who had established a mission not far from present-day Richmond. The brother of the king, and in the line of royal succession, Opechancanough then mounted a long war of resistance against the English. Horn ventures two potentially controversial suggestions: first, that Don Luis and Opechancanough were one and the same, since some historians have argued that they were not; and second, that Opechancanough and his elite band of warriors were responsible for the disappearance of the Roanoke Colony, long a matter of historical speculation. He provides convincing evidence for both assertions, building on a portrait of Virginia and its neighbors that, at the time of the European arrival, was the site of a sophisticated political and economic network whose participants were well aware of distant events and who coordinated to fight the newcomers. Some familiar figures appear, including John Smith and Pocahontas, on both of whom Horn sheds new light as players in a drama that would unfold over decades. He portrays Opechancanough as a man who, having seen the subjugation of Native peoples and the enslavement of Africans in Mexico, knew exactly what was coming on those English ships and fought to prevent their successful settlement—which, thanks to both the divisions of the English civil war and Opechancanough’s fierce fighting, almost didn’t happen.
Swift-moving prose along a twisting storyline lends this brilliant book the feel of a mystery.Pub Date: Nov. 2, 2021
ISBN: 978-0-465-03890-9
Page Count: 320
Publisher: Basic Books
Review Posted Online: Sept. 9, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
BOOK REVIEW
A marvelous exploration by an author steeped in the craft of his subject’s elastic, elusive work.
The mystery of the iconic novelist’s divided self as beautifully parsed by accomplished English biographer and novelist Wilson.
In this utterly satisfying investigative narrative, the author moves from Dickens’ death in 1870 back through his career and childhood trauma being sent to work in a blacking factory at age 12. It’s clear that Wilson fully comprehends the many complexities of the wily novelist, public performer, and secret lover. Beginning with the mystery of his death, the author re-creates the last day of the famous novelist’s life as he made the habitual hour’s journey from his home at Gad’s Hill, Kent, to his mistress’s house in Peckham (places have major significance in Dickens’ work). There, he suffered a seizure and was returned to his home to die a respectable death, surrounded by his estranged wife—tortured, as Wilson calls her—and some of his many adult children. Wilson gradually, engagingly unravels the circumstances surrounding his death. “Dickens was good at dying,” he writes. “If you want a good death, go to the novels of Dickens.” The novelist had been consumed by his love affair with the former actress Nelly Ternan for the previous 13 years and had bought the house where she lived with her mother and sisters. Just that morning, Dickens had been working toward the conclusion of The Mystery of Edwin Drood, a book that was destined to be left incomplete, and was saturated with a sense of raging passion for a young, unobtainable girl. (Wilson ably dispels the myth that Dickens did not write about sex.) Wilson writes with precision, intuition, and enormous compassion for Dickens’ senses of social justice and outrage, especially regarding children in the mercilessly materialist Victorian era. The author also charmingly conveys his own early enchantment with Dickens’ books.
A marvelous exploration by an author steeped in the craft of his subject’s elastic, elusive work.Pub Date: Aug. 4, 2020
ISBN: 978-0-06-295494-7
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 15, 2020
An exciting new standard in Dickinson scholarship.
A newly expanded, annotated edition of the poet’s letters, the first in more than 60 years.
Emily Dickinson (1830-1886) is one of the most recognizable poets in history. Yet, as the editors note in the introduction, she “was a letter writer before she was a poet.” She was a prolific and passionate correspondent, and this new edition contains 1,304 of her letters, “as well as all of the extant letters that [she] received.” This extraordinary collection shows her to be a masterful prose writer, and, contrary to her popular image as a recluse, the letters reveal that “Dickinson was by no means an isolated, lonely, woman.” The editors include hundreds of new letters, redate many of the previously published ones based on careful research, and provide essential annotations. Additionally, where possible, they restore omissions by previous letter transcribers. In some cases, the restorations are critical to our ability to reevaluate who Dickinson was in relation to those in her correspondence. While her prose writing is noteworthy in itself, the editors also include many “letter-poems.” Dickinson frequently sent poems in her correspondence, often without an accompanying note. Included in this edition alongside her regular letters, they provide beautiful texture to the collection. Perhaps the most delightful materials, though, are the writing notes. Like many writers, Dickinson collected scraps of language and fragments of poems, which she may have used to draft both her letters and poems. Seeing them together shows how “a retained metaphor or sequence of language might serve as the germ of a letter, or it might linger in her workshop until a letter seemed just right to house it, just as a poem might begin with a resonant phrase.” The notes, in particular, provide illuminating insight into the mind and process of a truly brilliant writer.
An exciting new standard in Dickinson scholarship.Pub Date: April 2, 2024
ISBN: 9780674982970
Page Count: 960
Publisher: Belknap/Harvard Univ.
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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