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FIFTY YEARS LATER

A thoughtful case study that sometimes falls a bit flat as fiction.

The controversial construction of a dam throws a quiet Pennsylvania town into turmoil in this novel.

Even though Sam Kopco has been home from Vietnam for two years, he’s still beleaguered by the trauma of his memories, which visit him in flashbacks. He grew up in northeastern Pennsylvania in the Minisink Valley, an area now threatened by the construction of the Tocks Island Dam across the Delaware River by the Army Corps of Engineers. While some locals believe the dam will eventually be a boon to the economy, others worry about the ecological costs as well as the displacement of longtime residents from their land. Many complain that they’ve been poorly compensated for the property they’ve been ousted from—one woman, whose family had occupied her land for three generations, kills herself in despair when exiled from it. Meanwhile, Sam begins a romantic relationship with Holly, who works for the Monroe County Commissioner’s Office. But they keep their affair private since she’s in the midst of a messy divorce from Mark, whose father, Leo Kober, is her boss. Further complicating matters, Holly suspects Leo is tampering with official documents to hide the inflated prices he’s selling his land to the government for, despite the meager amounts others are fetching. Collins effectively relates the story from shifting first-person perspectives: Will Mead, a hippie academic attempting to establish a utopian community on land the federal government pines for; Loretta Shuster, a local who loses her farm and spearheads a campaign to block the dam project; Jack Neumann, the project manager for the dam’s construction who’s unconvinced it can be successfully built; and of course Sam and Holly. The author’s kaleidoscopic approach to narration produces a remarkably sympathetic rendering of warring interests—Collins trusts his readers to draw their own conclusions. But the writing is less than poetic—the dialogue in particular seems stiff and lifeless. In addition, the plot unfolds without sufficient discipline, meandering too far afield too often. But the restrained intelligence of the novel as a whole should appeal to those interested in the tension between economic revitalization and environmental responsibility.

A thoughtful case study that sometimes falls a bit flat as fiction.

Pub Date: Feb. 13, 2018

ISBN: 978-0-692-97944-0

Page Count: 250

Publisher: CreateSpace

Review Posted Online: April 5, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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