by James Kurth ‧ RELEASE DATE: Dec. 5, 2019
A stunningly original work that provocatively explores the heights and depths of America’s global stature.
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A remarkably comprehensive account of the history of American foreign policy coupled with unflinching predictions of its future.
Kurth (Political Science Emeritus/Swarthmore Coll.; Family and Civilization, 2008, etc.) notes that the general consensus in the international community is that “we are now nearing a major inflection point in world history”—one marked by the nearly certain end of the “American Empire” and the diminishment of its global influence. The height of the United States’ power, he says, will be from 1945 to 2020—the “American Century”—within which the nation managed to rebuild Europe after its victory in World War II and successfully defeat the Soviet Union in the Cold War. With dizzying scholarly breadth, the author traces the development of America’s foreign policy from its inception, marking the birth of its imperial stature in the late 19th century—specifically, the Spanish-American War and aggressive expansion into Latin America and the Caribbean. Kurth explores the nation’s cultural and ideological traditions in his search for the nation’s identity—one that abides despite oscillations in ideology among liberalism, conservatism, and socialism—and argues that Protestantism, as practiced by Americans, shows moral deterioration due to “successive departures” from its original version. One could reasonably criticize the book for attempting to traverse too broad an intellectual landscape. Still, this is a compellingly astute study and a brilliant indictment of the “extraordinary ambition, pride, greed, and fantasies” that left American influence “in ruins.” Over the course of this book, Kurth’s analysis is astonishingly exhaustive; he impressively covers the failings of the Iraq War, as well as the dangers of plutocracy, and he presents a conclusion that’s neither fatalistically grim nor cheerily hopeful: The United States will surely lose its worldwide dominance, he asserts, but not necessarily its prominence, and it will continue to persuasively offer the “most attractive…of the ways of life.” In order to do this, he says, it needs to maintain its technological superiority and recapture its economic strength.
A stunningly original work that provocatively explores the heights and depths of America’s global stature.Pub Date: Dec. 5, 2019
ISBN: 978-1-7331178-2-1
Page Count: 464
Publisher: Washington Books
Review Posted Online: Nov. 29, 2019
Kirkus Reviews Issue: Feb. 1, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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