by James A. Magner ‧ RELEASE DATE: March 25, 2015
A thoughtful remembrance for those within Magner’s inner circle.
A physician recollects a contented life as a family man and lover of science.
Magner (Chess Juggler: Balancing Career, Family and Chess in the Modern World, 2011) grew up in the 1950s and ’60s in Quincy, a small town in Western Illinois. At an early age, he became aware of his “natural curiosity” about the world and realized that he was “unusually ambitious.” He was drawn to intellectually challenging games; he started playing chess in 1965 at the end of eighth grade, and in 1985, he joined the U.S. Chess Federation and began playing rated games. As a child, he experienced an inspiring wonder about the world that would last the rest of his life: “I was astounded already by the age of eight by the concepts of the immense age of the Earth, and that oceans had once covered our neighborhood!” That first kernel of scientific excitement blossomed into a medical career. After studying biology and chemistry in college, Magner attended Pritzker School of Medicine at the University of Chicago. He became an endocrinologist and worked as a clinician, academic, and researcher in the pharmaceutical industry. The author was just as devoted to his family—he married his wife, Glenda, in 1977 and raised two daughters. He always tried to strike a balance, sometimes delicate, between the need to be “rigorous, exacting, detail-oriented, logical and responsible” and the opportunity to “enjoy life, love and be loved, and be fully open to chance events.” This remembrance is brimming with charming anecdotes, some of them joyful and others candidly sad. For example, while in medical school, he once contracted mono from a female neighbor who suddenly (and without encouragement) kissed him—she gained entry into his apartment under the pretense of looking something up in his medical textbooks. In another, more somber tale, a teenager he was treating for pneumonia died, leaving him to forlornly consider the “mystery of human suffering.” The author liberally and prudently dispenses advice on a wide range of subjects as well, including finding a career and managing one’s finances. Some of the memoir’s more idiosyncratically personal aspects are less likely to appeal to an audience beyond Magner’s family and friends. The author includes lots of black-and-white photographs of himself and family, copies of meaningful correspondence, astronomical sketches he drew as a youth, and college transcripts. In an extensive series of appendices, he includes some full-length copies of scholarly articles he wrote as well. He even discusses—in impressive detail, frankly—past chess moves and games. While such inclusions add character and personality to Magner’s autobiography, they also diminish its universal relevance for the reader. Nonetheless, Magner lived a very full life with no shortage of either triumph or trauma, and the wisdom that resulted is a pleasure to read. Especially those with an inclination for science can benefit from his meditations on a life properly devoted to both reason and what lies beyond its reach.
A thoughtful remembrance for those within Magner’s inner circle.Pub Date: March 25, 2015
ISBN: 978-1-941270-16-5
Page Count: 272
Publisher: Russell Enterprises, Inc.
Review Posted Online: Sept. 12, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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