By turns comic and melancholy in tone but always razor-sharp in its insights.

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STORIES

Ten linked stories about growing up gay, introduced by a prologue that elliptically takes us to the cores of the two major characters.

In the prologue, Tom Amelio—48 years old in 2008—is reminiscing about his first cousin Elliott Biddler, who died years earlier. The last (and title) story is set in 1992 and finds Elliott and Tom in Paris to witness the marriage of one of Elliott's former lovers and confirms our fears that Elliott has died of AIDS. In between, we get glimpses into the lives of the two cousins, who didn’t even meet until they were 19. Some of the stories focus on Tom, some on Elliott and some on both; Magruder shifts both chronology and point of view to allow his characters to be narrators in some stories and third-person participants in others. Tom and Elliott grow up, explore their sexuality, take on various boyfriends and lovers, and try to accommodate themselves to a culture that is less than understanding about a fundamental component of who they are. Elliott is the more outgoing of the two. A graduate of Cornell, he takes risks and likes to live on the edge. While in college, he participates in a program that lets him study in Paris, where he takes a lover and winds up getting la chtouille—which he announces is French for “the clap.” Tom is more subdued and less impulsive than his cousin, though he, too, takes numerous lovers as he feels his way through the sexual shoals of adolescence and early adulthood.

By turns comic and melancholy in tone but always razor-sharp in its insights.

Pub Date: June 3, 2014

ISBN: 978-0-8101-5244-1

Page Count: 208

Publisher: TriQuarterly/Northwestern Univ.

Review Posted Online: June 17, 2014

Kirkus Reviews Issue: May 15, 2014

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Laymon moves us dazzlingly (and sometimes bewilderingly) from 1964 to 1985 to 2013 and incorporates themes of prejudice,...

LONG DIVISION

A novel within a novel—hilarious, moving and occasionally dizzying.

Citoyen “City” Coldson is a 14-year-old wunderkind when it comes to crafting sentences. In fact, his only rival is his classmate LaVander Peeler. Although the two don’t get along, they’ve qualified to appear on the national finals of the contest "Can You Use That Word in a Sentence," and each is determined to win. Unfortunately, on the nationally televised show, City is given the word “niggardly” and, to say the least, does not provide a “correct, appropriate or dynamic usage” of the word as the rules require. LaVander similarly blows his chance with the word “chitterlings,” so both are humiliated, City the more so since his appearance is available to all on YouTube. This leads to a confrontation with his grandmother, alas for City, “the greatest whupper in the history of Mississippi whuppings.” Meanwhile, the principal at City’s school has given him a book entitled Long Division. When City begins to read this, he discovers that the main character is named City Coldson, and he’s in love with a Shalaya Crump...but this is in 1985, and the contest finals occurred in 2013. (Laymon is nothing if not contemporary.) A girl named Baize Shephard also appears in the novel City is reading, though in 2013, she has mysteriously disappeared a few weeks before City’s humiliation. Laymon cleverly interweaves his narrative threads and connects characters in surprising and seemingly impossible ways.

Laymon moves us dazzlingly (and sometimes bewilderingly) from 1964 to 1985 to 2013 and incorporates themes of prejudice, confusion and love rooted in an emphatically post-Katrina world.

Pub Date: June 15, 2013

ISBN: 978-1-932841-72-5

Page Count: 250

Publisher: Bolden/Agate

Review Posted Online: March 14, 2013

Kirkus Reviews Issue: April 1, 2013

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