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FAITHLESS ELECTOR

A gripping and intelligently executed political drama.

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In this debut thriller, a college professor stumbles on a plot to rig an American presidential election. 

The presidential contest in 2016 is vertiginously close, and Diane Redmond becomes the first female occupant of the Oval Office, narrowly winning by four electoral votes. Matthew Yamashita is a political science graduate student in Seattle conducting a national demographic survey of all the Electoral College voters, the subject of his dissertation under his adviser, professor Duncan Calder. Matthew begins to discover some statistical anomalies: there’s an unusually high number of electors turning up dead during the election, all of them Democrats, all of them in states dominated by Democratic voters and without laws constraining faithless electors. He decides to call an old classmate who became a journalist about his findings; the reporter suspiciously turns up dead immediately after. Matthew then sends his research to Calder, but the grad student also dies, in a hit-and-run incident while riding his bicycle. Calder, initially skeptical about Matthew’s conspiratorial conclusions, becomes frightened after someone vandalizes his office and attempts to break into his home. He calls a former graduate student, Imogen Trager, an FBI agent already investigating voting irregularities in Illinois. Trager arranges for Calder to meet James Novaczeck, Redmond’s campaign manager, but he’s assassinated before the meeting takes place, making the professor seem like a prime suspect. Unsure how far the conspiracy has spread, Trager and Calder find themselves on the run, trying to solve the case and save their lives. In his novel, the first installment of a series, McCrone renders the unlikely in tantalizingly plausible strokes. The plot pulses ahead rapidly, and its dramatic march finds a climactic conclusion in under 200 pages. In addition, the author affectingly depicts the blooming romance between Trager and Calder, both lonely, frustrated souls who have too often sought solace in their careers. (At one point, the professor recalls: “Imogen’s voice often drifted to him, like a half-remembered scent on the air. The coolness of that voice, its dusky lilt haunted him.”) The entire book hinges on an explanation of the byzantine Electoral College, something McCrone manages to supply in mercifully clear prose that never devolves into dry, textbook-style exposition. 

A gripping and intelligently executed political drama. 

Pub Date: March 23, 2016

ISBN: 978-0-692-79783-9

Page Count: 216

Publisher: CreateSpace

Review Posted Online: Aug. 2, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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