A mostly enjoyable, if flawed, set of stories.
Tales of grace and despair abound in a new short story collection from Mulhern (Drenched to the Bone, 2016, etc.).
Most of these stories follow Molly Bonamici, a girl coming of age in Italian-American Boston. Her parents are consumed by work, so her main bond is with her beloved grandmother, or “Nonna.” In “Through a Convent Gate,” Molly and Nonna visit a crabby alcoholic neighbor’s home—a trip that first seems compassionate but then becomes a robbery. In “Mannequin,” Molly’s prank on an obnoxious college roommate leads to an unexpectedly extreme outcome. In “Smoke Rings,” she and Nonna conspire to fake an injury and scam a bank manager, discussing some facts of life afterward, and in “Myra Bocca,” an older Molly living in Florida encounters an intrusive shop proprietor who unexpectedly steals her credit card. Only two entries focus on other characters: the title story, in which a young boy forms an unlikely bond with a perpetually unlucky and alcoholic neighbor, and the final piece, which tells of a young teacher in a dysfunctional classroom, struggling to understand his own divorce. Mulhern demonstrates considerable powers of description, particularly when portraying his saddest characters: one woman, for example, has “broken capillaries that sloped down the sides of her nostrils” and “spindly, awkward limbs [that] stuck out of a round body, like you might see in a kindergartner’s rendering of a person.” Another of the author’s strengths is in eliciting compassion for less-than-likable figures. Nonna, for example, sneers at others and cheerfully damages Molly’s moral compass, but a glimpse of her aging, bruised body connotes a life of hard living. Molly herself is harder to pin down, showing compassion in some stories and cold detachment in others. Some of the material is repeated with variations—one story, for example, appears again as part of a later, longer piece, and it’s debatable whether this repetition creates meaningful layers or simply takes up space. Mulhern also offers some distractingly over-the-top moments (including a few deaths that seem almost cartoonish), but the quieter scenes show the mind of a talented writer at work.
A mostly enjoyable, if flawed, set of stories.Pub Date: Jan. 13, 2016
ISBN: 978-1-5233-1859-9
Page Count: 128
Publisher: CreateSpace
Review Posted Online: Feb. 13, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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