Othmer’s engaging dissection of advertising gives consumers valuable insight into how companies manipulate messages to...
by James P. Othmer ‧ RELEASE DATE: Sept. 15, 2009
A former ad man delves into his 20 years in the slogan trenches, musing on how advertising influences us and how the Internet is revamping it.
At some point, Othmer (The Futurist, 2006) probably made you buy something: a phone service, some cat litter, possibly fried chicken. To prompt that purchase, he might have spent weeks staging a pitch disguised as an Off-Broadway show, or days contemplating the difference between crispy and crunchy, or hours on a conference call discussing how kitty litter can make your cat’s poop shrink. In those moments, Othmer felt his soul was being corrupted. At other times he caught creative highs from being huddled in a meeting room thinking up ideas. Both experiences gave Othmer an understanding of advertising—the process, the positioning, the ultimate point of it all—that we consumers could never acquire on our own. His goal is to explain the business, from its conception in the focus-group meetings of a Chicago research institution to its dumbing-down at the hands of franchisees desiring a KFC commercial that borders on food porn. Othmer uses his often hilarious experiences to discuss the stress-fueled environment advertising springs from, how its message is targeted to consumers and how branding can actually be a good thing—even now, as traditional branding is collapsing. That last fact leads the author on a quest to understand advertising’s future, particularly online, and he interviews the heads of some of the biggest online marketing shops. To be a successful ad exec, he concludes, you have to understand new media and realize it is a galaxy of endless possibility that allows brands to interact and have a conversation with consumers—something a 30-second Super Bowl ad could never do.
Othmer’s engaging dissection of advertising gives consumers valuable insight into how companies manipulate messages to convince us to give them our money.Pub Date: Sept. 15, 2009
ISBN: 978-0-385-52496-4
Page Count: 336
Publisher: Doubleday
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 15, 2009
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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: July 1, 2015
Categories: BIOGRAPHY & MEMOIR | UNITED STATES | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Ibram X. Kendi ‧ RELEASE DATE: Aug. 13, 2019
Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.
In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.
Not an easy read but an essential one.Pub Date: Aug. 13, 2019
ISBN: 978-0-525-50928-8
Page Count: 320
Publisher: One World/Random House
Review Posted Online: April 28, 2019
Kirkus Reviews Issue: May 15, 2019
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adapted by Sonja Cherry-Paul ; by Jason Reynolds & Ibram X. Kendi ; illustrated by Rachelle Baker
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