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ADLAND

SEARCHING FOR THE MEANING OF LIFE ON A BRANDED PLANET

Othmer’s engaging dissection of advertising gives consumers valuable insight into how companies manipulate messages to...

A former ad man delves into his 20 years in the slogan trenches, musing on how advertising influences us and how the Internet is revamping it.

At some point, Othmer (The Futurist, 2006) probably made you buy something: a phone service, some cat litter, possibly fried chicken. To prompt that purchase, he might have spent weeks staging a pitch disguised as an Off-Broadway show, or days contemplating the difference between crispy and crunchy, or hours on a conference call discussing how kitty litter can make your cat’s poop shrink. In those moments, Othmer felt his soul was being corrupted. At other times he caught creative highs from being huddled in a meeting room thinking up ideas. Both experiences gave Othmer an understanding of advertising—the process, the positioning, the ultimate point of it all—that we consumers could never acquire on our own. His goal is to explain the business, from its conception in the focus-group meetings of a Chicago research institution to its dumbing-down at the hands of franchisees desiring a KFC commercial that borders on food porn. Othmer uses his often hilarious experiences to discuss the stress-fueled environment advertising springs from, how its message is targeted to consumers and how branding can actually be a good thing—even now, as traditional branding is collapsing. That last fact leads the author on a quest to understand advertising’s future, particularly online, and he interviews the heads of some of the biggest online marketing shops. To be a successful ad exec, he concludes, you have to understand new media and realize it is a galaxy of endless possibility that allows brands to interact and have a conversation with consumers—something a 30-second Super Bowl ad could never do.

Othmer’s engaging dissection of advertising gives consumers valuable insight into how companies manipulate messages to convince us to give them our money.

Pub Date: Sept. 15, 2009

ISBN: 978-0-385-52496-4

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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