Abysmally dumb terrorist novel whose plot would embarrass a Superman movie. Someone has blown up Wall Street. And it seems to be Green Band, a group of 26 disgruntled Vietnam veterans who are demolition experts and half of whom (including their one-armed leader Colonel David Hudson) suffer from PTSD (Post Traumatic Stress Syndrome, or combat flashbacks, nightmares and extremely intrusive memories). First, Green Band (or was it?) vaporized some piers, then 14 buildings on Wall Street, including The Federal Reserve Bank, Salomon Brothers, Bankers Trust, Merrill-Lynch, U. S. Trust Corporation and The Depository Trust Company. Down in Washington, young President Justin Kearney is relying on Arch Carroll, head of the State Department Special Terrorist Force. A widower with four kids and a heavy drinking problem, Carroll thinks nothing of arresting terrorists with the warning "You have no rights?' or of personally blowing them away with a machine gun in a crowded Syrian restaurant in Brooklyn. Kearney is also relying on Caitlin Dillon, the most powerful woman on Wall Street and beautiful Director of Enforcement for the SEC, who finds herself falling for Carroll. As it happens, even Premier Yuri Belov—whose KGB directorate was supposedly handling "The Red Tuesday Plan" for the sabotage and disablement of Wall Street and the entire Western economic system—wonders who Green Band is and what its precise relationship to the Red Tuesday plot could be. The Red Tuesday plot had been hatched in Tripoli by the oil-producing nations, but as aged Wall Street seer Anton Birnbaum tells Caitlin, America is really ruled by the supersecret Committee of Twelve (the American Wise Men), and they have used Colonel Hudson and Green Band to foil the Red Tuesday plot. True, the buildings are gone but the massive theft of US credit on the world's stock exchanges and subsequent US economic depression has not happened. Watch out, though, because this is the kind of mind. bending plot in which the chief villain, the supreme international terrorist known as Monserrat, can also be the head of the FBI, himself a master of disguise who can slip into a women's changing room at Henri Bendel's and shoot his gorgeous Brazilian mistress while she stands there in sheer black panties, his hand on her breast. Deserves drowning.
Pub Date: June 1, 1986
ISBN: 0007796536
Page Count: 399
Publisher: Simon & Schuster
Review Posted Online: Oct. 3, 2011
Kirkus Reviews Issue: May 15, 1986
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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