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THE LOST PROPERTY OFFICE

From the Section 13 series , Vol. 1

Mindless entertainment.

Discovering that everything he knew—even his name!—was a lie is only the beginning of a very weird day for 13-year-old Jack Buckles.

All-American white boy Jack stumbles across his secret heritage as a forbidden 13th generation of top-secret “trackers” with supersensory abilities, operating under the cover of the Lost Property Office. He teams up with Gwen Kincaid, spunky white Ministry of Trackers clerk and detective-in-training, in a mad scramble across past and present London for a mysterious deadly artifact capable of starting a second Great Fire. Hannibal crafts an adventure with brisk pacing but little originality or internal logic. The covert subterranean world of the Elder Ministries is cobbled together from high-tech gimcrackery, steampunk affectations, and coy allusions to British literature both famous and obscure; the clues shaping Jack and Gwen’s quest are mostly tourist-y factoids. Jack is the stereotypical “chosen one” hero; even untrained, his “neuroscientific” gifts might as well be magical. Clever and competent Gwen is too often reduced to “bouncing freckles” and expository infodumping (usually withholding crucial details to manufacture artificial suspense), while Jack always fights just a bit better and solves the most important riddles. The villain is a cartoon of a sinister Frenchman; the rest of (apparently all-white) London is populated by clichés: tea-sipping constables, starchy bureaucrats, and h-dropping oafs.

Mindless entertainment. (Adventure. 11-14)

Pub Date: Nov. 8, 2016

ISBN: 978-1-4814-6709-4

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: Aug. 15, 2016

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THRIVE

From the Overthrow series , Vol. 3

A thrilling conclusion to a beautifully crafted, heart-stopping trilogy.

This is the moment teens Seth, Anaya, and Petra have both been anticipating and dreading ever since aliens called cryptogens began attempting to colonize the Earth: the chance to defend their planet.

In an earlier volume, Seth, Anaya, and Petra began growing physical characteristics that made them realize they were half alien. Seth has wings, Petra has a tail, and Anaya has fur. They also have the power of telepathy, which Anaya uses to converse with Terra, a cryptogen rebel looking for human allies who could help stop the invasion of Earth. Terra plans to use a virus stored in the three teens’ bodies to disarm the flyers, which are the winged aliens that are both masterminding the invasion and enslaving the other species of cryptogens known as swimmers and runners. But Terra and her allies can’t pull any of this off without the help of Anaya, Seth, and Petra. Although the trio is anxious about their abilities, they don’t have much of a choice—the entire human race is depending on them for salvation. Like its predecessors, this trilogy closer is fast-paced and well structured. Despite its post-apocalyptic setting, the story is fundamentally character driven, and it is incredibly satisfying to watch each protagonist overcome their inner battles within the context of the larger human-alien war. Main characters read as White.

A thrilling conclusion to a beautifully crafted, heart-stopping trilogy. (Science fiction. 11-14)

Pub Date: May 4, 2021

ISBN: 978-1-984894-80-9

Page Count: 416

Publisher: Knopf

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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CHILDREN OF THE FLYING CITY

A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas.

As fleets of hostile warships gather over a floating city, a young thief finds himself the object of an urgent manhunt.

Readers can be excused for coming away bewildered by Sheehan’s competing storylines, disconnected events, genre-bending revelations, and refusal to fit any of the major players in the all-White–presenting cast consistently into the roles of villain, ally, or even protagonist. Continually shifting through points of view and annoyingly punctuated with an omniscient narrator’s portentous commentary, the tale centers on the exploits of 12-year-old street urchin Milo Quick and his squad of juvenile ragamuffins (seemingly juvenile at any rate; one is eventually revealed to be something else entirely) in an aerial city of Dickensian squalor threatened by a multinational flying armada. Though a lot of people are after Milo, ranging from the swashbuckling crew of a flying privateer hired (ostensibly) to kidnap him and a vengeful punk bent on bloody murder to a sinister truant officer paid lavishly by mysterious parties to watch over him, he ultimately winds up—or so it seems—being no more than a red herring all along. The actual target is revealed piecemeal in conversations and flashbacks before the commencement of a climactic bombardment and an abrupt cutoff in which three side characters, miraculously shrugging off multiple knife and bullet wounds, themselves suddenly take center stage to set up a sequel.

A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas. (Science fiction. 11-14)

Pub Date: March 15, 2022

ISBN: 978-0-593-10951-9

Page Count: 400

Publisher: Dutton

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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