Go for Lyn Gardner’s Into the Woods, (2007) Emily Rodda’s Key to Rondo (2008) and Adam Gidwitz’s A Tale Dark & Grimm...
With no dearth of novels that fracture and mingle fairy tales, waste no time on this sequel and its lazy metaphysics.
Jack, of the beanstalk family, and Phillip, a prince, come from inside fairy tales; May, of unclear heritage, comes from the modern real world. They have many adventures. As they get into and out of scrapes, some magic startles them while some inexplicably doesn’t. Rather than portraying the magic with consistency or structure, the text indolently justifies itself: “[m]agic [is] strange.” Any detail can be just “[p]art o’ the magic”: When ocean replaces forest, the “because” is “Because why not.” Riley strives for twists and intrigue, but so many things appear “out of nowhere” that surprise becomes tedium. He simply hasn’t the knack yet of creating a plot in which characters are consistently confused but readers aren’t. There’s some cool stuff: Peter Pan is also Pan the satyr, and Jack’s sardonic narration is often funny. But words like “immediately” and “quickly” can’t force excitement, nor can offered-and-retracted inescapable peril (“nothing could possibly stop the sword as it flew straight and true right at Phillips' back— / Until an urgent, vibrant musical note sounded from behind”). The retrograde sexism of May’s fussy, sharp-tongued, victim role chafes.
Go for Lyn Gardner’s Into the Woods, (2007) Emily Rodda’s Key to Rondo (2008) and Adam Gidwitz’s A Tale Dark & Grimm (2010) instead. (Fantasy. 8-11)Pub Date: April 24, 2012
ISBN: 978-1-4169-9596-8
Page Count: 352
Publisher: Aladdin
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
A wild romp that champions making space for vulnerable creatures and each other.
A boy with ADHD explores nature and himself.
Eleven-year-old Jake Rizzi just wants to be seen as “normal”; he blames his brain for leading him into trouble and making him do things that annoy his peers and even his own parents. Case in point: He’s stuck spending a week in rural Oregon with an aunt he barely knows while his parents go on vacation. Jake’s reluctance changes as he learns about the town’s annual festival, during which locals search for a fabled turtle. But news of this possibly undiscovered species has spread. Although Aunt Hettle insists to Jake that it’s only folklore, the fame-hungry convene, sure that the Ruby-Backed Turtle is indeed real—just as Jake discovers is the case. Keeping its existence secret is critical to protecting the rare creature from a poacher and others with ill intentions. Readers will keep turning pages to find out how Jake and new friend Mia will foil the caricatured villains. Along the way, Bramucci packs in teachable moments around digital literacy, mindfulness, and ecological interdependence, along with the message that “the only way to protect the natural world is to love it.” Jake’s inner monologue elucidates the challenges and benefits of ADHD as well as practical coping strategies. Whether or not readers share Jake’s diagnosis, they’ll empathize with his insecurities. Jake and his family present white; Mia is Black, and names of secondary characters indicate some ethnic diversity.
A wild romp that champions making space for vulnerable creatures and each other. (Adventure. 8-11)Pub Date: Oct. 3, 2023
ISBN: 9781547607020
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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