Those who are able to navigate early modern English would do better to read Caxton, but this new version has the virtue of...
Timely translation of the medieval story cycle about a fox who constantly outwits the “not only dim-witted but also greedy, coarse and self-interested” folks in charge.
Reynard the Fox rolls up all the best wiles of Odysseus, Harpo Marx and the Coyote of North American Indian mythology; he’s a trickster, a court jester and a buffoon who, somewhat freer to speak truth to power than the rest of us, shows time and again that the emperor’s clothes are threadbare. The exiled English printer William Caxton understood this, and his 15th-century translation of the Old French Roman de Renart, though subtle in its satire, made it plain “how clever subjects can survive enemies and kings.” So Greenblatt writes in his introduction to this new translation by Simpson (English/Harvard Univ.), which properly places the stories about Reynard, which emerged as long ago as the 1100s, in the tradition of Aesop and other fabulists. Simpson’s translation is fully serviceable, though there are some oddly herky-jerky clashes of diction scattered throughout: “Cousin Reynard, now’s the time to open up your bag of tricks: if you’re so clever, I suggest you help yourself. You’re in a fix, buddy.” “The wolf said: ‘Just listen to this guy! I’m the one who’s suffered and have cause to complain, and he wants me to pay him!’ ” If the characters sound like Sir Walter Scott at one moment and Lou Costello the next, that doesn’t diminish the bite and force of the stories, which, though surely not to everyone’s taste, are plenty of fun to read—especially when Reynard, having outwitted Lion and Wolf and Cat and every other creature in the French barnyard, finally talks himself into a cushy government job, at last securing a sinecure to guard the henhouse.
Those who are able to navigate early modern English would do better to read Caxton, but this new version has the virtue of making the Reynard stories easily accessible.Pub Date: March 9, 2015
ISBN: 978-0-87140-736-8
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: Dec. 15, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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