For all its simplicity, an episode rich in drama, humor, pathos, and thematic depth—with plenty of latitude for verbal...
Sturm pays tribute to the Japanese art of kamishibai storytelling with a wordless tale of two wicked children who are turned into monkeys.
Bearing sticks and angry expressions, a boy and a girl chase a red bird up a mountain slope—only to meet an enraged wizard who transforms them and leaves them to be chased by a tiger, then captured for a circus sideshow (“They Read! They Write!”). By the time they are released, both have undergone inner transformations too, and their reverent treatment of the bird when it returns leads to final glimpses of three birds flying off together. (Though inspired by the Japanese art, Sturm draws Western characters; the children and wizard are white, though the sideshow crowd is multiracial.) In an afterword with photos, Sturm (of the Adventures in Cartooning series) explains how traditional kamishibai works, drawing a clear connection between the art and graphic storytelling. He leaves decorated but otherwise blank pages opposite each of his cleanly drawn full-page illustrations throughout as silent invitations to viewers to supply their own narratives, dialogue, and sound effects to his story. Children will not be slow to take him up on the offer.
For all its simplicity, an episode rich in drama, humor, pathos, and thematic depth—with plenty of latitude for verbal embellishment. (resource list) (Graphic early reader. 4-8)Pub Date: April 5, 2016
ISBN: 978-1-935179-94-8
Page Count: 60
Publisher: TOON Books & Graphics
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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