Politics makes for a profound and enjoyable sci-fi tale with all the genre ingredients.



From the The Galatea Trilogy series , Vol. 1

In this series opener, a teen on a newly inhabited planet fights for a way to expand a colony more organically than industrial advancement.

Seventeen-year-old Yori Kashimoto was born on the Galatea, a starship that saved people from the dying planet Ulro. Now living in a colony on Planet 2314, the curious Yori, studying history at the New Academy, often traverses the largely unexplored hills. In a cave, he meets Paola, whom Yori’s certain is an alien and who allows him to ask her one question. His ultimate inquiry —“Who are you?”—precipitates a cumbersome response: Paola’s one of three survivors of the original landing party, which included Yori’s father, Akira, now dead. Shockingly, her version of events is noticeably different from Starship Command’s claim of an accident killing 20 explorers. At a seminar later, a somewhat disillusioned Yori argues against the status quo of the colony’s evolution via technology, a system that seems to favor machinery over humans. This puts Yori at risk, because some assert that his stance could spark civil unrest among the colonists. The technocrats opt for technological efficiency, but Yori believes in “growing people,” which takes time but likewise preserves the land. Heated political discourse is inevitable, while Yori has more to learn regarding his father’s fate. Swearingen (The Prodigals, 2013, etc.) launches an epic sci-fi tale with surprisingly few characters, though he develops them with proficiency. Lars Hanssen, for example, is Yori’s childhood friend and dorm roommate, and as an engineer represents the industrial opposition to the protagonist campaigning for agricultural means. Frequent debates on how best to sustain the colony are boosted by a story with effectual time jumps (of years) and an understated love triangle involving Yori, fellow student Véronique, and Paola. Meanwhile, Swearingen’s third-person prose is persistently invigorating, an omniscient narrator making seemingly impulsive observations; as Yori reads of someone’s uncertain future, there’s an elegiac aside: “And yet isn’t he, too, facing the unknown, tempted by whispers from inaccessible dimensions?” The author leaves plenty for sequels to explore, from what happened back on Ulro to life on the Galatea.

Politics makes for a profound and enjoyable sci-fi tale with all the genre ingredients.

Pub Date: Nov. 22, 2016


Page Count: 260

Publisher: CreateSpace

Review Posted Online: Dec. 30, 2016

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?