A campy but robust vampire tale teeming with wit and otherworldly mystery.



A special agent must identify who among the vampires is purloining their steady supply of blood in this fourth installment of a supernatural series.

The purpose of Vampire Blood Supply is to provide vamps with blood that humans have voluntarily donated. Agent Samuel Johnson of Vampires Against the Evil is one of the Protectors who safeguard humanity from dangerous vamps, such as the Evil Ones, who prefer drinking blood straight from the human tap. VBS enlists Samuel’s help when blood donations wane and thefts—delivery-van hijackings—spike. The probable robbery suspect is Blood International, a delivery service looking to set up shop in central Iowa, where Samuel is stationed. BI’s real intent is to drive VBS out of business. But when Samuel trails carjackers for intelligence, he’s shocked to witness another group rob the culprits. Surmising that the second band comprises Evil Ones, he offers to help BI (which vaguely acknowledges that the sinister vampires are a “problem”) while covertly preventing the service from destroying VBS. In addition, he plans to unmask the spy inside VBS. The complex operation is quite the challenge for Samuel, as it involves infiltrating a secret BI facility and occasionally working alongside individuals he utterly despises, like the Evil Ones and stupid humans. Comedy, as in preceding series installments, is in abundance. For example, intermittent interviews (to pinpoint the VBS mole) are typically humorous, as with deliverywoman Patty Cline, who talks so incessantly that Samuel only manages a single question. But Carpenter (My Daze as a Vampire Hunter, 2017, etc.) augments the story with mystery, starting with the opening, in which people are pursuing Samuel through a maze of cornstalks. A corresponding bevy of characters, which the author deftly handles, will likely make the mole’s identity a surprise to many readers. Samuel’s casual narration, meanwhile, entails frequently addressing both the vampire and human audience. But his disdain for human readers eventually wears thin, implying, for one, that they can’t recall basic details of a VBS blood drive.

A campy but robust vampire tale teeming with wit and otherworldly mystery.

Pub Date: Sept. 9, 2018

ISBN: 978-1-72019-160-5

Page Count: 202

Publisher: Time Tunnel Media

Review Posted Online: Nov. 12, 2018

Did you like this book?

No Comments Yet


While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize

  • National Book Award Finalist


Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet