Though it brings the horrors of the other Victorians perhaps too literally to life, this first novel from historian Wilson...
This epistolary sequel to The Woman in White sets Wilkie Collins’s hero the herculean task of writing a life of the legendary English painter J.M.W. Turner.
In response to the fears of Lady Elizabeth Eastlake, wife of the National Gallery director, that Walter Thornbury’s forthcoming biography of Turner will be too vitriolic to take its subject’s true measure, Walter Hartright, himself an artist, agrees to undertake a life of his own. The task of reconstructing his subject from the clues he can find in the painter’s lodgings and studios and from among his friends and colleagues originally seems daunting enough, since some acquaintances, like the painter George Jones, refuse to talk to Walter; others, like influential critic John Ruskin, speak so oracularly that they are little more helpful; and others still, like the artist’s housekeeper Mrs. Booth, will unburden themselves only to Walter’s sister-in-law Marian Halcombe. But the real difficulties lie deeper. Turner, who inspired wildly contradictory opinions while he was alive, had a pathological fear of public appearances—he hated being painted, was never photographed under circumstances that would identify him as that Turner, and often conducted his irregular domestic arrangements under an alias—all of which made disagreements about him nearly impossible to resolve. As Walter traces the artist’s steps through country villas and London alleys, naively secure in his determination to unearth the truth about this wild genius, he sinks instead more and more deeply into the life he is supposed to be investigating, neglecting his fairy-tale wife Laura and their two children back in Limmeridge. Not even Marian, when she takes over the research from Walter, can avoid Turner’s infernal pull.
Though it brings the horrors of the other Victorians perhaps too literally to life, this first novel from historian Wilson (The Earth Shall Weep, 1999), taking its cue as much from A.S. Byatt as from Collins, is a powerfully somber meditation on the impossibility of writing a life.Pub Date: Nov. 1, 2001
ISBN: 0-87113-831-X
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
BOOK REVIEW
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Pub Date: July 28, 2015
ISBN: 978-0-312-58321-7
Page Count: 272
Publisher: Minotaur
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
