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TEMPLE BOYS

One part nihilist political commentary, one part grimly modernist retelling, for readers willing to see Jesus in a...

A sneaky beggar child enters the circle of Yeshua of Gilgal in the six days surrounding the crucifixion.

Flea is a filthy, ignorant street child in the Holy City, the most bullied and ostracized member of a gang calling itself the Temple Boys. The new magician riding into the city on a donkey is just one more excuse for the rest of the Temple Boys to abuse and abandon Flea, but the magician's best friend, Jude, enlists Flea for a mission of his own. Jude wants to protect his friend and prevent the anti-Roman, anti-Temple political movement from turning into a bloodbath, but Flea only wants food, warmth and a little respect. Though he admires Yeshua's sleight of hand and cunning, Flea doesn't understand why Yesh seems sanguine about his own potential death. Readers with knowledge of the Gospels will catch the many sideways references and thinly disguised names: Yesh's brother is named Yak; Shim denies Yesh; Yesh buries old Laz alive; Jude reminisces about that time they "smuggled the booze into that boring wedding...in a water jug." These readers need to be prepared to read about Jesus as a lying con man who's a master of confidence games and is willing to use children as human shields. The ideal reader of this existentialist retelling is likely substantially older than naïve-if-bitter young Flea.

One part nihilist political commentary, one part grimly modernist retelling, for readers willing to see Jesus in a distinctly unholy light . (Historical fiction. 15 & up)

Pub Date: Feb. 10, 2015

ISBN: 978-1-62672-036-7

Page Count: 288

Publisher: Roaring Brook Press

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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THE STARS WE STEAL

A thrilling romance that could use more even pacing.

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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