An engaging, if uneven, thriller about a distressing investigation.
In Jones’ chilling debut thriller, a precocious Tunisian adolescent discovers that high-level government officials are involved in a sex trade involving young children.
A’dan Didaz wants nothing more than an A-Phone for his 13th birthday. Instead, his journalist mother, Sohaira, surprises him with a trip to the fictional country of Gumibel, on which he will be accompanied by his father, Pau. A’dan is baffled by his mother’s sudden determination to send him and his father far away, her recent decision to wear a hijab, and the appearance of a mysterious, yellow violin case in her office. His father, a Catalan freedom fighter and journalist, believes that Sohaira has renewed her investigation into a Gumibelian-Belanese arms-for-drugs connection. Pau, meanwhile, makes the dubious decision to involve A’dan in his investigation of a pedocriminality ring. Pau leads his 13-year-old son on a multicountry tour, where they learn about children as young as two being sexually abused by their parents and grandparents. He soon finds out that influential politicians may be involved. Jones’ disturbing account is based upon real-life reports from the late 1990s; the author points out that pedophilia is not a new Internet-based perversion but one as old as history. Unfortunately, the narrative occasionally lacks fluidity, as it’s dominated by flashbacks and A’dan’s summaries of research materials he has read. The author’s frequent use of aliases and nicknames may also confuse readers, particularly with such a dizzying array of characters. It’s difficult to parse this novel’s intended audience; with its teenage protagonist, it might seem aimed at a middle-school audience, but the subject matter may be too upsetting for all but the most mature readers. Indeed, A’dan, wise beyond his years, concludes that too many people simply cannot confront such disgusting realities. The story concludes without an easy resolution, but Jones’ ending promises a sequel.
An engaging, if uneven, thriller about a distressing investigation.Pub Date: Nov. 15, 2012
ISBN: 978-1479150533
Page Count: 184
Publisher: CreateSpace
Review Posted Online: Feb. 1, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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