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ON BURNING MIRRORS

What this story lacks in suspense, it makes up with an honest investigation of love and loss.

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Klinger-Krebs (The Other Side of Silence, 2013) presents a novel about a tragic love triangle.  

Jules Kanter and Erin Quinn are lovers in their 30s. But although the two women enjoy each other’s company, Jules is married to William, with whom she has a child. Jules also works for a major newspaper in Milwaukee, Wisconsin, and her presence in public with someone other than her spouse could be problematic for her career. The relationship ends abruptly one snowy evening, however, when Jules is killed in a car accident. Eventually, William, a recovering alcoholic, finds out about the affair and confronts Erin in the bar where she works. But the confrontation, though heated, is moot; Jules is dead, so what does William want from Erin? What had Jules wanted from her? And what does Erin, who was once a rising music star in Nashville, Tennessee, want now that she has no real reason to stay in Milwaukee? The novel considers these questions, weaving them together with the characters’ pasts to create a love triangle of flawed people making flawed decisions. The death of Jules near the beginning of the story makes for an unusual setup, though, and as readers watch William figure out that his wife was cheating on him—thanks, mostly, to information on Jules’ cellphone—any sense of tension surrounding the affair is extinguished. Instead, what pushes the story forward is the question of what those left behind will manage to do without Jules—a pressing and ultimately rewarding exploration. Klinger-Krebs succinctly portrays William’s ambivalence, in particular; after discovering his wife’s affair, William expresses, rather adroitly, that “as much as I hate her right now, I loved her one hundred times more.” Indeed, the book is at its best when it explores the mixed feelings that make relationships what they are.

What this story lacks in suspense, it makes up with an honest investigation of love and loss.

Pub Date: April 20, 2018

ISBN: 978-0-692-11271-7

Page Count: 398

Publisher: J2k Creative

Review Posted Online: May 27, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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