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THE FISH SKIN

When Grandfather Sun pauses to admire his reflection in a lake, the villagers enjoy his warmth so much that they ask the clouds to leave—but they soon regret their impulse when the lingering sun parches the land. To save his people, a young man dons a magic fish skin, summons the clouds, and hurls lake water into the sky to fall as rain. This Cree legend about preserving balance in nature is retold in simple, fluid prose from an oral transmission. Morrisseau is a young artist of Chippewa extraction; his illustrations are sometimes overliteral (a ``dusty cough'' is depicted as a solid-looking mass ejected from Wolf's throat), with only scattered and sketchy details of Cree art or cultural style, and his juxtapositions of bright tones are far from subtle, but they do add color and feeling to the story. (Folklore/Picture book. 6-8)

Pub Date: April 19, 1993

ISBN: 1-56282-401-5

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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THE THREE SILLIES

A foolish hero, a featherbrained heroine, and a bevy of muddle-headed characters lead the cast in this wry retelling from Kellogg (The Three Little Pigs, 1997, etc.). When a buffoonish gentlemen courts a young maiden, he discovers that silliness is epidemic in her family. While getting some cider, the young maiden daydreams about her pending marriage, the birth of her son, his growth to manhood, and his death when a mallet “donks” him on the head. She begins crying, relates the sorry scenario to her parents, and sets them sobbing, too. The gentlemen sets out to find three people sillier than his future wife and in-laws, a task that is easier than he imagined, and he returns willingly to their fold. A close encounter with the mallet during the wedding festivities serves the gentleman a slice of crow as he ultimately appears the most foolish of all. Kellogg’s bright, cartoon-like illustrations coupled with the hilarious captions make for a raucous tale that pokes fun at the foibles of those who count themselves as serious. (Picture book/folklore. 4-8)

Pub Date: Nov. 1, 1999

ISBN: 0-7636-0811-4

Page Count: 40

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

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THE COMING OF NIGHT

A YORUBA TALE FROM WEST AFRICA

When Aje, the daughter of the river goddess Yemoya, leaves her underwater home to marry, what she misses most is the night. The sun shines all the time in her new home and hurts her eyes. Her husband sends couriers to Yemoya, with the request that they return with some night. Yemoya gladly packs a sack for them, warning the creatures not to peek inside. Of course, that’s a temptation too big for the animals to resist; all the bats, owls, gnats, spiders, and darkness whoosh out of the bag. At first, the animals are scared, but they soon adjust to the darkness, as does Aje, who falls into a deep peaceful sleep. The next morning, she names the morning star, the rooster, and the early rising birds as symbols of dawn. Riordan’s language is perfunctory, but Stow’s pictures portray both the fluid blue of underwater life, and the parching hot yellows and oranges of the earth. This competent retelling, fully sourced, could be added to more extensive folklore collections. (Picture book/folklore. 5-8)

Pub Date: Feb. 1, 1999

ISBN: 0-7613-1358-3

Page Count: 32

Publisher: Millbrook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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