Soothing at bedtime yet with enough substance for an autumn group storytime.
A fluttering line of autumn leaves flying across every double-page spread announces the wind’s presence.
Autumn Wind is a character here, inviting all the forest animals to the “annual Windfall Ball.” The event is not just a night’s entertainment, but the opportunity for the animals to gather the food they each need for the long winter ahead. As Swenson explains to adults at the end, a “windfall” can be “fruit or other crops blown down by the wind” or “an unexpected gift or good fortune.” As part of the harvest season, in the northern woods of the United States, the author’s home, the wind does its natural part in bringing down foods that can be eaten, or gathered and stored according to their needs, by the region’s animals, some hibernating, some able to live through harsh winters, and some who migrate to southern areas. This fanciful depiction in rhyme of the invisible wind that affects many animals with its hospitality scans well. “Then Autumn Wind began to dance— / It breezed, / it blew, / it puffed, / it pranced. / Beckoning both big and small / To join in step at the Windfall Ball.” There are plenty of animals to spot in the soft, yet vibrant mixed media illustrations that combine the use of watercolor, tempera, and colored pencils with digital retouching: rabbits, bears, raccoons, elk, and quail, among them. This satisfying book for the fall season emphasizes the interconnectivity of nature.
Soothing at bedtime yet with enough substance for an autumn group storytime. (Picture book. 4-6)Pub Date: Sept. 1, 2018
ISBN: 978-1-5124-9803-5
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Low grade.
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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