This unusual poetry anthology is a compilation of 43 contemporary poets’ responses to self-selected images, ranging from photographs to sculpture. The poets may tell a story inspired by the art, assume the voice of the subject, describe the piece, or explore some technical aspect of the work. Poems are written in traditional forms, free verse, or patterns. Greenberg (Frank O. Gehry: Outside In, 2000, etc.) contributes a poem in the shape of a diamond to accompany Chuck Close’s self-portrait in diamond shapes. Jacob Lawrence’s “Barber Shop,” a colorful, jazzy gouache on paper, inspires Peter F. Neumeyer to match the feelings engendered in the painting with words that describe the barbershop as a “shrewd skeptic joshing where the brothers meet.” William Jay Smith reacts to Elie Nadelman’s wooden sculpture “Woman at the Piano” with a story beginning, “When the tall thin lady started to play the notes flew up and out and away.” Artists represented include Georgia O’Keeffe, Red Grooms, Alfred Stieglitz, Edward Hopper, Faith Ringgold, Mark Rothko, and Roy Liechtenstein. Poets include Deborah Chandra, Kristine O’Connell George, Angela Johnson, Naomi Shihab Nye, and X.J. Kennedy. The color reproduction of the works from museum slides is excellent, and the varied arrangements of text and art on the page lends interest. Some of the works are accessible to young children; others are more sophisticated. An index and biographical notes on the poets and artists are useful additions. A beautiful volume that brings words and pictures together in wonderful tributes from artist to artist. (Nonfiction. All ages)
Pub Date: April 1, 2001
ISBN: 0-8109-4386-7
Page Count: 80
Publisher: Abrams
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2001
Brief yet inspirational, this story will galvanize youth to use their voices for change.
Testa’s connection to and respect for nature compelled her to begin championing animal causes at the age of 10, and this desire to have an impact later propelled her to dedicate her life to fighting plastic pollution. Starting with the history of plastic and how it’s produced, Testa acknowledges the benefits of plastics for humanity but also the many ways it harms our planet. Instead of relying on recycling—which is both insufficient and ineffective—she urges readers to follow two additional R’s: “refuse” and “raise awareness.” Readers are encouraged to do their part, starting with small things like refusing to use plastic straws and water bottles and eventually working up to using their voices to influence business and policy change. In the process, she highlights other youth advocates working toward the same cause. Short chapters include personal examples, such as observations of plastic pollution in Mauritius, her maternal grandparents’ birthplace. Testa makes her case not only against plastic pollution, but also for the work she’s done, resulting in something of a college-admissions–essay tone. Nevertheless, the first-person accounts paired with science will have an impact on readers. Unfortunately, no sources are cited and the lack of backmatter is a missed opportunity.
Brief yet inspirational, this story will galvanize youth to use their voices for change. (Nonfiction. 12-18)Pub Date: Oct. 13, 2020
ISBN: 978-0-593-22333-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: July 26, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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