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THE AMERICAN EYE

ELEVEN ARTISTS OF THE TWENTIETH CENTURY

A remarkable biographical study of American artists that boldly links their works to their lives—a readable collection that allows researchers and others to see how an artist's personality is intertwined with the art he or she produces. The authors (The Sculptor's Eye, 1993, etc.) have assembled an eclectic group: Romare Bearden, Thomas Hart Benton, Stuart Davis, Arthur Dove, Eva Hesse, Edward Hopper, Isamu Noguchi, Georgia O'Keeffe, Jackson Pollock, David Smith, and Andy Warhol. Greenberg and Jordan (the latter is a reviewer for this publication) share formative events in each artist's life and interpret several works (which are well reproduced, mostly in full-color) in a disarmingly simple, straightforward tone. Unlike many adult biographies, this one includes anecdotes about the artists as children; the roots of talent are not necessarily found in adulthood. A photograph of Warhol as a skinny boy, who, during a long illness, wrote to movie stars, makes his art more understandable and puts it into a human context. Discomforting details are neither expurgated nor dwelled upon: Pollock's alcoholism, Hesse's depressions, and Warhol's sexual preferences are not treated as romanticized artistic afflictions or as scandalous personality defects, but as individualizing aspects of the respective artists' lives. Lists of the works and their locations supplement the back matter and make this laudable work essential for most collections. (glossary, bibliography, index) (Nonfiction. 10+)

Pub Date: Oct. 1, 1995

ISBN: 0-385-32173-2

Page Count: 120

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1995

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THEY CALLED US ENEMY

A powerful reminder of a history that is all too timely today.

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A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.

Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.

A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)

Pub Date: July 16, 2019

ISBN: 978-1-60309-450-4

Page Count: 208

Publisher: Top Shelf Books

Review Posted Online: Aug. 4, 2019

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A QUEER HISTORY OF THE UNITED STATES FOR YOUNG PEOPLE

Though not the most balanced, an enlightening look back for the queer future.

An adaptation for teens of the adult title A Queer History of the United States (2011).

Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.

Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)

Pub Date: June 11, 2019

ISBN: 978-0-8070-5612-7

Page Count: 336

Publisher: Beacon Press

Review Posted Online: March 12, 2019

Kirkus Reviews Issue: April 15, 2019

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